Biographia LiterariaThe Floating Press, 2009年5月1日 - 406 頁 Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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第 6 到 10 筆結果,共 60 筆
第 45 頁
Samuel Taylor Coleridge. wantonly applied to an individual, I could never learn that I had excited the displeasure of any among my literary contemporaries. Having announced my intention to give a course of Lectures on the characteristic ...
Samuel Taylor Coleridge. wantonly applied to an individual, I could never learn that I had excited the displeasure of any among my literary contemporaries. Having announced my intention to give a course of Lectures on the characteristic ...
第 46 頁
... never under the water-fall of criticism, but I must be wet through with the spray; yet how came the torrent to descend upon them? First then, with regard to Mr. Southey. I well remember the general reception of his earlier publications ...
... never under the water-fall of criticism, but I must be wet through with the spray; yet how came the torrent to descend upon them? First then, with regard to Mr. Southey. I well remember the general reception of his earlier publications ...
第 51 頁
... never let him hear the last of his galli-pots! Admit that the Allegro and Penseroso of Milton are not without merit; but repay yourself for this concession, by reprinting at length the two poems on the University Carrier! As a fair ...
... never let him hear the last of his galli-pots! Admit that the Allegro and Penseroso of Milton are not without merit; but repay yourself for this concession, by reprinting at length the two poems on the University Carrier! As a fair ...
第 53 頁
... never dictated a line which it need regret on any moral account. I have in imagination transferred to the future biographer the duty of contrasting Southey's fixed and well-earned fame, with the abuse and indefatigable hostility of his ...
... never dictated a line which it need regret on any moral account. I have in imagination transferred to the future biographer the duty of contrasting Southey's fixed and well-earned fame, with the abuse and indefatigable hostility of his ...
第 57 頁
... never had poet more friends and honourers among the good of all parties; and that quacks in education, quacks in politics, and quacks in criticism were his only enemies. [17] Chapter IV * The Lyrical Ballads with the Preface—Mr ...
... never had poet more friends and honourers among the good of all parties; and that quacks in education, quacks in politics, and quacks in criticism were his only enemies. [17] Chapter IV * The Lyrical Ballads with the Preface—Mr ...
內容
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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常見字詞
admiration answer appear association attempt attention beauty become believe called cause character common composition concerning connection consequence consists continued conversation criticism direction distinct effect English equally excellence excitement existence express fact fancy feelings former genius German give greater ground hand heart honour human idea images imagination immediate important impression individual instance intelligible interest judgment kind knowledge language latter learned least less light lines living look meaning mere mind moral nature never notions object observed once opinions original particular pass passage perhaps person philosopher pleasure poem poet poetic poetry possess possible present principles produced prose reader reason remain result seemed sense speak spirit style supposed things thought true truth understanding whole Wordsworth's writer