Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 6 到 10 筆結果,共 39 筆
第 100 頁
... Vasari , Della Valle edition , vol . v . , p . 63-64 . ) Not Bertonino da Novara , as some have asserted . In 1496 the engineering problems connected with it were still. ( Library of the Institut de France . ) ( Windsor Library ...
... Vasari , Della Valle edition , vol . v . , p . 63-64 . ) Not Bertonino da Novara , as some have asserted . In 1496 the engineering problems connected with it were still. ( Library of the Institut de France . ) ( Windsor Library ...
第 108 頁
... 81. Did Leonardo return to Florence in 1495 ? Vasari asserts that the Grand Council Chamber , begun in 1493 , was built by Il Cronaca , according to Bereft of his patron's strong guidance , the artist tossed 108 LEONARDO DA VINCI.
... 81. Did Leonardo return to Florence in 1495 ? Vasari asserts that the Grand Council Chamber , begun in 1493 , was built by Il Cronaca , according to Bereft of his patron's strong guidance , the artist tossed 108 LEONARDO DA VINCI.
第 119 頁
... Vasari's edition ( Siena , 1792 ) , vol . v . , p . 72-73 . - Amoretti , Memorie , p . 87. - Alvisi , Cesare Borgia , Duca di Romagna , p . 357-358 . Here is a translation of this curious document : -- - " Cæsar Borgia of France ...
... Vasari's edition ( Siena , 1792 ) , vol . v . , p . 72-73 . - Amoretti , Memorie , p . 87. - Alvisi , Cesare Borgia , Duca di Romagna , p . 357-358 . Here is a translation of this curious document : -- - " Cæsar Borgia of France ...
第 121 頁
... Vasari adds , " fill all the artists with admiration , but on its completion , a continuous procession of men and women , of old men and youths , who hastened to admire the masterpiece , filled the chamber in which it was exhibited ...
... Vasari adds , " fill all the artists with admiration , but on its completion , a continuous procession of men and women , of old men and youths , who hastened to admire the masterpiece , filled the chamber in which it was exhibited ...
第 122 頁
... Vasari's description . The little S. John the Baptist is not playing with a lamb ; he is advancing towards the Holy Child , as though to do Him homage , and the Child's right hand is raised to bless him . Further , it will be noticed ...
... Vasari's description . The little S. John the Baptist is not playing with a lamb ; he is advancing towards the Holy Child , as though to do Him homage , and the Child's right hand is raised to bless him . Further , it will be noticed ...
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