Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 6 到 10 筆結果,共 23 筆
第 194 頁
... red chalk , with energetic features and an expression at once sarcastic and morose . This drawing I ascribe with some confidence to Leonardo , in spite of an ear with which the critic might reasonably find 194 LEONARDO DA VINCI.
... red chalk , with energetic features and an expression at once sarcastic and morose . This drawing I ascribe with some confidence to Leonardo , in spite of an ear with which the critic might reasonably find 194 LEONARDO DA VINCI.
第 201 頁
... red chalk which shows us , twice over , the Child Jesus , seated , and bend- ing towards an invisible donor . According to some connoisseurs this is a study for the Child Jesus in the Madonna of Sant ' Onofrio . One of the two ...
... red chalk which shows us , twice over , the Child Jesus , seated , and bend- ing towards an invisible donor . According to some connoisseurs this is a study for the Child Jesus in the Madonna of Sant ' Onofrio . One of the two ...
第 209 頁
... red chalk , in the Ambrosian Library . It repre- sents an old man , beardless and bald , in profile to the right . The ear is too small , and set much too high , and there is a certain timidity in the handling . The inscrip- tion ...
... red chalk , in the Ambrosian Library . It repre- sents an old man , beardless and bald , in profile to the right . The ear is too small , and set much too high , and there is a certain timidity in the handling . The inscrip- tion ...
第 226 頁
... red chalk drawing in the Windsor Collection , is a bust in profile . We see a man of fifty , or thereabouts , with regular , but singu- larly cold features , an observer rather than a poet . The nose , and the forehead , on which the ...
... red chalk drawing in the Windsor Collection , is a bust in profile . We see a man of fifty , or thereabouts , with regular , but singu- larly cold features , an observer rather than a poet . The nose , and the forehead , on which the ...
第 228 頁
... red chalk copy of the Turin portrait is preserved in the Accademia delle belle Arti at Venice ( Braun , no . 44 ) . This copy is harder and poorer than the original . Vasari's annotators have blundered ( vol . iv . , p . 36 ) in ...
... red chalk copy of the Turin portrait is preserved in the Accademia delle belle Arti at Venice ( Braun , no . 44 ) . This copy is harder and poorer than the original . Vasari's annotators have blundered ( vol . iv . , p . 36 ) in ...
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