Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 6 到 10 筆結果,共 31 筆
第 126 頁
... . Anna , di Leonardo da Vinci . " ( Campori , Raccolta di Cataloght ed Inventarii inediti , p . 98. ) 2 Les Comptes des Bâtiments du Roi , vol . i . p . 943-1012 . of the history of our great national gallery , proves 126 LEONARDO DA VINCI.
... . Anna , di Leonardo da Vinci . " ( Campori , Raccolta di Cataloght ed Inventarii inediti , p . 98. ) 2 Les Comptes des Bâtiments du Roi , vol . i . p . 943-1012 . of the history of our great national gallery , proves 126 LEONARDO DA VINCI.
第 127 頁
... gallery , proves that the picture . purchased from the Marquis de Béthune was the Virgin with the Scales . In addition to the Royal Academy cartoon , and the picture in the Louvre , I may mention a third cartoon , with fragmentary ...
... gallery , proves that the picture . purchased from the Marquis de Béthune was the Virgin with the Scales . In addition to the Royal Academy cartoon , and the picture in the Louvre , I may mention a third cartoon , with fragmentary ...
第 128 頁
... Gallery which has many points in common with the S. Anne of the cartoon ( Braun , 931 ) . There are the same somewhat soft and irregular outlines , the same high chin , the same irregular features and uncertain glance . A number of ...
... Gallery which has many points in common with the S. Anne of the cartoon ( Braun , 931 ) . There are the same somewhat soft and irregular outlines , the same high chin , the same irregular features and uncertain glance . A number of ...
第 129 頁
... Gallery , no . 100 ) . For other drawings of this period see the Catalogue at the end of this volume . An admirable drawing in the Louvre of a woman , seen full face , with an eager countenance , great eyes almost starting from their ...
... Gallery , no . 100 ) . For other drawings of this period see the Catalogue at the end of this volume . An admirable drawing in the Louvre of a woman , seen full face , with an eager countenance , great eyes almost starting from their ...
第 141 頁
... Gallery , which , though certainly never touched by Leonardo's hand , was spoken of as early as 1635 as being his work , would seem to have formed the basis of Zacchia's engraving . After this , in chrono- logical order , come the ...
... Gallery , which , though certainly never touched by Leonardo's hand , was spoken of as early as 1635 as being his work , would seem to have formed the basis of Zacchia's engraving . After this , in chrono- logical order , come the ...
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