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CIV.

T was not for fiction chose Rousseau this spot,
Peopling it with affections; but he found
It was the scene which passion must allot
To the mind's purified beings; 't was the ground
Where early love his Psyche's zone unbound,
And hallow'd it with loveliness: 't is lone,

And wonderful, and deep, and hath a sound,

And sense, and sight of sweetness; here the Rhone Hath spread himself a couch, the Alps have reard a throne.

CV.

Lausanne! and Ferney! ye have been the abodes 23
Of names which unto you bequeath'd a name;
Mortals, who sought and found, by dangerous roads,
A path to perpetuity of fame:

They were gigantic minds, and their steep aim
Was, Titan-like, on daring doubts to pile

Thoughtswhichshouldcall down thunder and theflame

Of heaven, again assail'd, if Heaven the while

CX.

ages,

Italia! too, Italia! looking on thee,
Full flashes on the soul the light of a
Since the fierce Carthaginian almost won thee,
To the last halo of the chiefs and sages,
Who glorify thy consecrated pages;

Thou wert the throne and grave of empires; still,
The fount at which the panting mind assuages
Her thirst of knowledge, quaffing there her fill,
Flows from the eternal source of Rome's imperial hill.
CXI.

Thus far I have proceeded in a theme
Renew'd with no kind auspices:—to feel
We are not what we have been, and to deem
We are not what we should be, and to steel
The heart against itself; and to conceal,
With a proud caution, love, or hate, or aught,—
Passion or feeling, purpose, grief or zeal,—
Which is the tyrant spirit of our thought;

On man and man's research could deign do more than Is a stern task of soul;-No matter,—it is taught.

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CXII.

And for these words, thus woven into song,
It may be that they are a harmless wile,----
The colouring of the scenes which fleet along,
Which I would seize, in passing, to beguile
My breast, or that of others, for a while.
Fame is the thirst of youth,-but I am not.
So young as to regard men's frown or smile,
As loss or guerdon of a glorious lot;

I stood and stand alone,-remember'd or forgot.

CXIII.

I have not loved the world, nor the world me;
I have not flatter'd its rank breath, nor bow'd
To its idolatries a patient knee,-

Nor coin'd my cheek to smiles,-nor cried aloud
In worship of an echo; in the crowd
They could not deem me one of such; I stood
Among them, but not of them; in a shroud

Of thoughts which were not their thoughts, and still

could,

Had I not filed 24 my mind, which thus itself subdued.
CXIV.

I have not loved the world, nor the world me,-
But let us part fair foes; I do believe,

Though I have found them not, that there may be Words which are things,- hopes which will not deceive,

And virtues which are merciful, nor weave Snares for the failing: I would also deem O'er others griefs that some sincerely grieve; 25 That two, or one, are almost what they seem,That goodness is no name, and happiness no dream. CXV.

My daughter! with thy name this song begun— My daughter! with thy name thus much shall endI see thee not,-I hear thee not, but none Can be so wrapt in thee; thou art the friend To whom the shadows of far years extend: Albeit my brow thou never should'st behold, My voice shall with thy future visions blend, And reach into thy heart,-when mine is cold.-A token and a tone, even from thy father's mould.

CXVI.

To aid thy mind's developement,-to watch
Thy dawn of little joys,—to sit and see
Almost thy very growth,—to view thee catch
Knowledge of objects,-wonders yet to thee!
To hold thee lightly on a gentle knee,

And print on thy soft cheek a parent's kiss,-
This, it should seem, was not reserved for me;
Yet this was in my nature:-as it is,

I know not what is there, yet something like to this.

CXVII.

Yet, though dull hate as duty should be taught, I know that thou wilt love me; though my name Should be shut from thee, as a spell still fraught With desolation,-and a broken claim : Though the grave closed between us,-'twere the same, I know that thou wilt love me; though to drain My blood from out thy being, were an aim, And an attainment,-all would be in vain,Still thou would'st love me, still that more than life retain.

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AFTER an interval of eight years between the composition of the first and last cantos of Childe Harold, the conclusion of the poem is about to be submitted to the public. In parting with so old a friend it is not extraordinary that I should recur to one still older and better, to one who has beheld the birth and death of the other, and to whom I am far more indebted for the social advantages of an enlightened friendship, than-though not ungrateful-I can, or could be, to Childe Harold, for any public favour reflected through the poem on the poet,-to one, whom I have known long, and accompanied far, whom I have found wakeful over my sickness and kind in my sorrow, glad in my prosperity and firm in my adversity, true in counsel and trusty in peril-to a friend often tried and never found wanting;-to yourself.

In so doing, I recur from fiction to truth, and in de

dicating to you in its complete, or at least concluded state, a poetical work which is the longest, the most thoughtful and comprehensive of my compositions, I wish to do honour to myself by the record of many years' intimacy with a man of learning, of talent, of steadiness, and of honour. It is not for minds like ours to give or to receive flattery; yet the praises of sincerity have ever been permitted to the voice of friendship, and it is not for you, nor even for others, but to relieve a heart which has not elsewhere, or lately, been so much accustomed to the encounter of good-will as to withstand the shock firmly, that I thus attempt to commemorate your good qualities, or rather the advantages which I have derived from their exertion. Even the recurrence of the date of this letter, the anniversary of the most unfortunate day of my past existence, but which cannot poison my future, while I retain the resource of your friendship, and of my own faculties, will henceforth have a more agreeable recollection for both, inasmuch as it will remind us of this my attempt to thank you for an indefatigable regard, such as few men have experienced, and no one could experience without thinking better of his species and of himself.

It has been our fortune to traverse together, at various periods, the countries of chivalry, history, and fable-Spain, Greece, Asia Minor, and Italy: and what Athens and Constantinople were to us a few years ago, Venice and Rome have been more recently. The poem also, or the pilgrim, or both, have accompanied me from first to last; and perhaps it may be a pardonable vanity which induces me to reflect with complacency on a composition which in some degree connects me with the spot where it was produced, and the objects it would fain describe; and however unworthy it may be deemed of those magical and memorable abodes, however short it may fall of our distant conceptions and immediate impressions, yet as a mark of respect for what is venerable, and a feeling for what is glorious, it has been to me a source of pleasure in the production, and I part with it with a kind of regret, which I hardly suspected that events could have left me for imaginary objects.

With regard to the conduct of the last canto, there will be found less of the pilgrim than in any of the preceding, and that little slightly, if at all, separated from the author speaking in his own person. The fact is, that I had become weary of drawing a line which every one seemed determined not to perceive: like the Chinese in Goldsmith's «Citizen of the World,» whom nobody would believe to be a Chinese, it was in vain that I asserted, and imagined, that I had drawn a distinction between the author and the pilgrim; and the very anxiety to preserve this difference, and disappointment at finding it unavailing, so far crushed my efforts in the composition, that I determined to abandon it altogether-and have done so. The opinions which have been, or may be, formed on that subject, are now a matter of indifference; the work is to depend on itself, and not on the writer; and the author, who has no resources in his own mind beyond the reputation, transient or permanent, which is to arise from his literary efforts, deserves the fate of authors.

In the course of the following canto it was my intention, either in the text or in the notes, to have touched | upon the present state of Italian literature, and perhaps

of manners. But the text, within the limits I proposed, | South, « Verily they will have their reward,» and at no I soon found hardly sufficient for the labyrinth of very distant period. external objects and the consequent reflections; and for the whole of the notes, excepting a few of the shortest, I am indebted to yourself, and these were necessarily limited to the elucidation of the text.

It is also a delicate, and no very grateful task, to dissert upon the literature and manners of a nation so dissimilar; and requires an attention and impartiality which would induce us,—though perhaps no inattentive observers, nor ignorant of the language or customs of the people amongst whom we have recently abode,— to distrust, or at least defer our judgment, and more narrowly examine our information. The state of literary, as well as political party, appears to run, or to kave run, so high, that for a stranger to steer imparGally between them is next to impossible. It may be enough then, at least for my purpose, to quote from their own beautiful language-«Mi pare che in un parse tutto poetico, che vanta la lingua la più nobile ed insieme la più dolce, tutte tutte le vie diverse si possono tratare, e che sinchè la patria di Alfieri e di Monti non ha perduto l'antico valore, in tutte essa dovrebbe essere

prima » Italy has great names still-Canova, Monti, Cge Foscolo, Pindemonti, Visconti, Morelli, Cicognara, Atrizzi, Mezzo fanti, Mai, Mustoxidi, Aglietti, and Vacca, wal secure to the present generation an honourable place in most of the departments of art, science, and beides lettres; and in some the very highest;-Europe-the world-has but one Canova.

It has been somewhere said by Alfieri, that « La pranta-uomo nasce più robusta in Italia che in qualuna altra terra-e che gli stessi atroci delitti che vi si commettono ne sono una prova.» Without subscribing to the latter part of his proposition, a dangerous doctrine, the truth of which may be disputed on better grounds, namely, that the Italians are in no respect ⚫ more ferocious than their neighbours, that man must be wilfully blind, or ignorantly heedless, who is not struck with the extraordinary capacity of this people, r, if such a word be admissable, their capabilities, the facility of their acquisitions, the rapidity of their conceptions, the fire of their genius, their sense of beauty, and, amidst all the disadvantages of repeated viutions, the desolation of battles, and the despair of anes, their still unquenched « longing after immor| Lauty.—the immortality of independence. And when se ourselves, in riding round the walls of Rome, heard e simple lament of the labourers' chorus, «<< Roma! Roma Roma! Koma non è più come era prima,» it was difficult not to contrast this melancholy dirge with the bacchanal roar of the songs of exultation still yelled from the London taverns, over the carnage of Mont St Jean, and the betrayal of Genoa, of Italy, of France, and of the world, by men whose conduct you yourself save exposed in a work worthy of the better days of ur history. For me,

Nos moverò mai corda

Ove la turba di sue ciance assorda..

What Italy has gained by the late transfer of nations, : were useless for Englishmen to inquire, till it be-mes ascertained that England has acquired something

than a permanent army and a suspended Habeas ras; it is enough for them to look at home. For they have done abroad, and especially in the

Wishing you, my dear Hobhouse, a safe and agreeable return to that country whose real welfare can be dearer to none than to yourself, I dedicate to you this poem in its completed state; and repeat once more how truly I Your obliged

am ever

And affectionate friend,

Venice, January 2, 1818.

1.

BYRON.

I STOOD in Venice, on the Bridge of Sighs; '
A palace and a prison on each hand-:

I saw from out the wave her structures rise,
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles

O'er the far times, when many a subject land
Look'd to the winged lion's marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,2
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was;-her daughters had their dowers
From spoils of nations, and the exhaustless east
Pour'd in her lap all gems in sparkling showers
In purple was she robed, and of her feast
Monarchs partook, and deem'd their dignity increased.

III.

In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone-but beauty still is here.
States fall, arts fade-but nature doth not die,
Nor yet forget how Venice once was dear,
The revel of the earth, the masque of Italy!
The pleasant place of all festivity,

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, can not be swept or worn away-
For us repeopled were the solitary shore.
The keystones of the arch! though all were o'er,

V.

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence: that which fate
Prohibits to dull life, in this our state
Of mortal bondage, by these spirits supplied
First exiles, then replaces what we hate;
Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.

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