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MEASURE FOR MEASURE

OBSERVATIONS.

MEASURE POR MEASURE.] The story is taken from Cinthio's Novels, Decad. 8, Novel 5.

POPE.

We are sent to Cintbio for the plot of Measure for Measure, and Shakespeare's judgment hath been attacked for some deviations from him in the conduct of it, when probably all he knew of the matter was from Madam Isabella, in The Heptameron of Whetstone, Lond. 4to. 1582.--She reports, in the fourth dayes Exercise, the rare Historie of Promos and Cassandra. A marginal note informs us, that Whetstone was the author of the Comedie on that subject; which likewise had probably fallen into the hands of Shakespeare:

FARMER.

There is perhaps not one of Shakespeare's plays more darkened than this by the peculiarities of its author, and the unskilfulness of its editors, by distortions of phrase, or negligence of transcription.

JOHNSON. Dr. Johnson's remark is so just respecting the corruptions of this play, that I shall not attempt much reformation in its metre, which is too often rough, redundant, and irregular. Additions and omissions (however trisling) cannot be made without constant notice of them; and such notices, in the present instance, would so frequently occur, as to become equally tiresome to the commentator and the reader.

Shakespeare took the fable of this play from the Promos and Cassandra of George Whetstone, published in 1578. See Theobald's note at the end.

A bint, like a sced, is more or less prolific, according

to the qualities of the soil on which it is thrown. This story, which in the hands of Whetstone produced little more than barren insipidity, under the culture of Shakespeare became fertile of entertainment. The curious reader will find that the old play of Promos and Cassandra exhibits an almost complete embryo of Measure for Measure; yet the hints on which it is formed are so slight, that it is nearly as impossible to detect them, as it is to point out in the acorn the future ramifications of the oak.

Whetstone

opens his play thus ;

ACT I.-SCENE I.

« Promos, Mayor, Shirise, Sworde Bearer : one with a bunche of keyes. Pballax,

Promos Man.
" You officers which now in Julio staye,
* Know you your leadge, the King of Hungarie,

Sent me to Promos, to joybe with you in sway:
" That styll we may to Justice have an eye.
" And Dow to show my rule and power at lardge,
* Attentivelie his letters patents heare :

Phallar, reade out my Soveraines chardge.
Phal.“ As you commaunde I wyll: give heedeful eare.

Phallax readith the Kinges Letters Pattents, which must be

fayre writien in parchment, with some great counterf cat scale. Pro. “Loe, here you see what is our Soveraignes wyl,

" Loe, heare his wish, that right, pot might, beare swaye :
“ Loe, heare bis care, to weede from good the yll,
To gcoorge the wights, good lawes that disobay.
" Such zeale he beares, upto the common weale,
“ (How so he byds, the ignoraunt to save)
" As be commaundes, the lewde doo rigor feele, &c. &c. &e.

Pro.“ Both swoorde and keies, unto my princes use,

“I do receyve, and gladlie take my chardge.
" It restetb now, for to reforme abuse,
“ We poynt a tyme of councell more at lørdge,

To treate of which, a whyie we wyll depart. dl. speake. “ To worke your wyll, we yeelde a willing hart.

Ereunt."

The reader will find the argument of G. Whetstone's Promos and Cassandra, at the end of this play. It is too bulky to be inserted here. See likewise the piece

itself among Six old Plays on which Shakespeare founded, &c. published by s. Leacroft, Charing Cross.

STEEVENS.

Measure for Measure was, I believe, written in 1603. See An Attempt to ascertain the Order of Shakespeare's Plays, Vol. II.

MALONE.

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