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If high exalted on the Throne of Wit,
Near Me and Homer thou aspire to fit,
No more let meaner Satire dim the rays 55
That Aow majestic from thy nobler Bays;
In all the flow'ry paths of Pindus stray,
But shun that thorny, that unpleasing way ;
Nor, when each soft engaging Muse is thine,
Address the least attractive of the Nine.

60
Of thee more worthy were the task, to raise
A lasting Column to thy Country's Praise, .
Tosing the Land, which yet alone can boast
That Liberty corrupted Rome has lost ;
Where Science in the arms of Peace is laid,
And plants her Palm beneath the Olive's shade.
Such was the Theme for which my lyre I strung,
Such was the People whose exploits I sung;
Brave, yet refin’d, for Arms and Arts renown'd,
With diff'rent bays by Mars and Phoebus crown'd,
Dauntless opposers of Tyrannic Sway,
But pleas'd, a mild AUGUSTUS to obey.

If these commands submissive thou receive, Immortal and unblam'd thy name shall live; Envy to black Cocytus shall retire,

75 And howl with Furies in tormenting fire ; Approving Time shall consecrate thy Lays, And join the Patriot's to the Poet's Praise.

GEORGE LYTTELTON.

65

PASTORALS,

W I TH A

Discourse on PASTOR A L.

Written in the Year M DCC IV.

Rura mihi et rigui placeant in vallibus amnes,
Flumina amem, fylvasque, inglorius ! VIRG

1

VOL. I.

: А

DISCOURSE

Ο Ν

PASTORAL POETRY*.

T

HERE are not, I believe, a greater num

ber of any sort of verses than of those which

are called Pastorals ; nor a smaller, than of those which are truly so. It therefore seems necefsary to give some account of this kind of Poem, and it is my design to comprize in this short paper the substance of those numerous dissertations the Critics have made on the subject, without omitting any of their rules in my own favour. You will also find some points reconciled, about which they seem to differ, and a few remarks, which, I think, have escaped their observation.

The original of Poetry is ascribed to that Age which succeeded the creation of the world: and as the keeping of flocks seems to have been the first employment of mankind, the most ancient sort of poetry was probably pastoral t. It is natural to imagine, that the leisure of those ancient Shepherds admitting and inviting fome diversion, none was so proper to that solitary and sedentary life as singing; and that in their songs they took occafion to celebrate their own felicity. From hence a Poem was in

Written at fixtuen years of age. + Fontenelle's Difc. on Paflorals.

P.
P.

B 2

vented, vented, and afterwards improved to a perfect image of that happy time ; which by giving us an esteem for the virtues of a former age, might recommend them to the present. And since the life

And since the life of shepherds was attended with more tranquillity than any other rural employment, the Poets chose to introduce their Persons, from whom it received the name of Paftoral.

A Pastoral is an imitation of the action of a thepherd, or one confidered under that character. The form of this imitation is dramatic, or narrative, or mixed of both *; the fable simple, the manners not too polite nor too rustic: the thoughts are plain, yet admit a little quickness and passion, but that short and Alowing: the expression humble, yet as pure as the language will afford; neat, but not florid ; easy, and yet lively. In short, the fable, manners, thoughts, and expressions are full of the greatest fimplicity in nature.

The complete character of this poem consists in simplicity ti brevity, and delicacy; the two first of which render an eclogue natural, and the last de« lightful.

If we would copy Nature, it may be useful to take this Idea along with us, that Pastoral is an image of what they call the golden age. So that we are not to describe our shepherds as fhepherds at this day really are, but as they may be conceived then to have been; when the best of men followed the employment. To

carry

this resemblance yet farther, it would not bę amíss to give these shepherds some skill in astronomy, as far as it may be useful to that sort of life. And an air of piety to the Gods should fine through the Poem, which so visibly appears in all the works of antiquity : and it ought to preserve

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