Wordsworth and Feeling: The Poetry of an Adult ChildFairleigh Dickinson Univ Press, 1995 - 269 頁 Wordsworth and Feeling returns to Wordsworth's personal history in order to locate and contextualize some of the most remarkable poetry in the English language. In this study, G. Kim Blank details how this poetry evolves out of Wordsworth's radical subjectivity, but the most pressing feature of that subjectivity is the cluster of subjects - loss, guilt, suffering, endurance, death - which appears throughout much of his poetry up until 1802-4. |
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第 1 到 5 筆結果,共 17 筆
第 32 頁
... described by Miller in virtually all of her work , especially 1990c ; Miller claims that in the name of righteousness , secrets are kept , feelings are disaffirmed , and children are reared in the name of social discipline rather than ...
... described by Miller in virtually all of her work , especially 1990c ; Miller claims that in the name of righteousness , secrets are kept , feelings are disaffirmed , and children are reared in the name of social discipline rather than ...
第 46 頁
... described , the mind will upon the whole be in a state of enjoy- ment . ( Wordsworth 1984 , 611 ) This passage is usually read as a description of Wordsworth's general process of poetic composition ; but more importantly , it is also ...
... described , the mind will upon the whole be in a state of enjoy- ment . ( Wordsworth 1984 , 611 ) This passage is usually read as a description of Wordsworth's general process of poetic composition ; but more importantly , it is also ...
第 50 頁
... described as " Such feelings " ( 1799 Prelude , bk . 2 , line 274 ) . These in turn become the very origin of the powerful mind , which , as " an agent of the one great mind , / Cre- ates , creator , and receiver both " of that " Which ...
... described as " Such feelings " ( 1799 Prelude , bk . 2 , line 274 ) . These in turn become the very origin of the powerful mind , which , as " an agent of the one great mind , / Cre- ates , creator , and receiver both " of that " Which ...
第 88 頁
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很抱歉,此頁的內容受到限制.
第 91 頁
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很抱歉,此頁的內容受到限制.
內容
41 | |
47 | |
A Father | 55 |
A Son | 65 |
Penrith | 68 |
Wordsworths Health and the Composition of Poetry | 72 |
The Abandoned Child and the Abandoning Father | 80 |
The Poets Progress Early Struggles Early Gains | 91 |
The Letter to Coleridge December 1798 | 149 |
More Poetry from the Winter of Discontent | 167 |
Home Again in Grasmere | 174 |
Towards the 1799 Prelude | 176 |
The 1799 Prelude Book 2 | 184 |
Longing for and Belonging at Grasmere | 189 |
The Immortality Ode Back to the Future | 205 |
Wordsworth as the Lost Child | 216 |
Wandering Lonely 179395 | 93 |
From Racedown to Alfoxden 179597 | 98 |
Towards the 1798 Lyrical Ballads | 114 |
Tintern Abbey Revisited or Aching Joys and Healing Thoughts | 125 |
Down and Out in Germany Writing in SelfDefense | 140 |
Off to Germany | 143 |
Wordsworth Trauma and the Poetry of Dissociation | 218 |
Wordsworth Recovery and Writing | 220 |
Notes | 222 |
248 | |
263 | |
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常見字詞
adult child Alfoxden Alice Miller Annette attempt autobiographical become brother childhood circumstances Coleridge 1956 Coleridge's confused critical death difficult feelings Dorothy Dorothy Wordsworth Dorothy's early Edited emotional Ernest de Selincourt experience expressed father fear feeling and thought feelings of loss felt figure Germany Goslar grief guilt heart Home at Grasmere hope idea imaginative Immortality Ode important inner child John Wordsworth kind of poetry landscape language later Leavis letter lines Lucy poems Lyrical Ballads M. H. Abrams Matlak mind Moorman mother nature pain parents particular passage past Pedlar Penrith perhaps poet poet's poetic Prelude present recollection reenactment Ruined Cottage Salisbury Plain scene seems sense sister solitary solitude stanzas Stephen Gill story suggests things Thorn Tintern Abbey tion trauma troubled University Press Vaudracour wanted William Wordsworth words Wordsworth 1967 Wordsworth's poetry writes written wrote
熱門章節
第 46 頁 - I have said that poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity : the emotion is contemplated till, by a species of re-action, the tranquillity gradually disappears, and an emotion, kindred to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind.
第 5 頁 - How strange that all The terrors, pains, and early miseries, Regrets, vexations, lassitudes interfused Within my mind, should e'er have borne a part, And that a needful part, in making up The calm existence that is mine when I Am worthy of myself!