Auditory Perception: A New SynthesisElsevier Science & Technology Books, 1982 - 237 頁 Auditory Perception: A New Synthesis focuses on the effort to show the connections between key areas in hearing. The book offers a review of classical problems, and then presents interpretations and evidence of this topic. A short introduction to the physical nature of sound and the way sound is transmitted and changed within the ear is provided. The book discusses the importance of being able to identify the source of a sound, and then presents processes in this regard. The text provides information on the organs involved in the identification of sound and discusses pitch and infrapitch and ... |
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第 1 到 3 筆結果,共 66 筆
第 76 頁
... shown for a set of 1 / 3 - octave filters having center frequencies of 160 , 200 , 250 , 6,300 Hz stimulated simultaneously by a 200 Hz pulse train ( shown diagramatically in broad - band form as BB at the bottom of the figure ) . Spec ...
... shown for a set of 1 / 3 - octave filters having center frequencies of 160 , 200 , 250 , 6,300 Hz stimulated simultaneously by a 200 Hz pulse train ( shown diagramatically in broad - band form as BB at the bottom of the figure ) . Spec ...
第 86 頁
... shown corresponds to a mixture of undelayed and delayed noise having equal amplitudes , a pitch can still be heard for differences in intensity up to about 20 dB between the delayed and undelayed sounds ( Yost & Hill , 1978 ) . Theories ...
... shown corresponds to a mixture of undelayed and delayed noise having equal amplitudes , a pitch can still be heard for differences in intensity up to about 20 dB between the delayed and undelayed sounds ( Yost & Hill , 1978 ) . Theories ...
第 94 頁
... shown in figure 3.17 , listeners heard a repetition frequency of 2/7 or 4 Hz with this 2 Hz stimulus , indicating perceptual equivalence of the polarity inverted waveforms . In contrast , the 1,935 Hz alternating polarity stimulus ...
... shown in figure 3.17 , listeners heard a repetition frequency of 2/7 or 4 Hz with this 2 Hz stimulus , indicating perceptual equivalence of the polarity inverted waveforms . In contrast , the 1,935 Hz alternating polarity stimulus ...
內容
SPATIAL LOCALIZATION | 31 |
Pitch and Infra pitch | 85 |
Pitches Produced by Dichotic Interactions | 96 |
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acoustic addition alternating analysis appears auditory band basilar membrane changes chapter close complex components concerning considered consisting continuity corresponding cues delay described detection determined direct discussed distance durations echo effect employed estimate evidence experiments figure filters frequency function fundamental harmonics heard hearing identification illusory increase indicated induction intensity involving iterated Journal judgments lateral limit listeners loudness lower measured mechanisms msec musical naming nature neural noise normal noted observed occur patterns perceived perception periodic permit phonemes pitch polarity position possible presented processing produced pulse range recycled relation relative repeated repetition reported response restoration seen segments sensory separate sequences shown signal single sinusoidal Society of America sound Source spectral speech stimulus subjects suggested temporal theory threshold tion tonal tone trains verbal vocal voice vowels Warren waveform