Auditory Perception: A New SynthesisElsevier Science & Technology Books, 1982 - 237 頁 Auditory Perception: A New Synthesis focuses on the effort to show the connections between key areas in hearing. The book offers a review of classical problems, and then presents interpretations and evidence of this topic. A short introduction to the physical nature of sound and the way sound is transmitted and changed within the ear is provided. The book discusses the importance of being able to identify the source of a sound, and then presents processes in this regard. The text provides information on the organs involved in the identification of sound and discusses pitch and infrapitch and ... |
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第 1 到 3 筆結果,共 63 筆
第 54 頁
... listeners could learn to respond appropriately to side reversal of the ear trumpets , there was no complete auditory reorientation to pseudophones even after periods as long as a week . The lack of complete adaptation , perhaps , was ...
... listeners could learn to respond appropriately to side reversal of the ear trumpets , there was no complete auditory reorientation to pseudophones even after periods as long as a week . The lack of complete adaptation , perhaps , was ...
第 55 頁
... listener from the source ( Fieandt , 1951 ; Mohrmann , 1939 ; Shigenaga , 1965 ) . Let us consider the cues used by listeners in estimating the distance of a sound source . Perhaps the most obvious cue to an increase in distance is a ...
... listener from the source ( Fieandt , 1951 ; Mohrmann , 1939 ; Shigenaga , 1965 ) . Let us consider the cues used by listeners in estimating the distance of a sound source . Perhaps the most obvious cue to an increase in distance is a ...
第 123 頁
... listeners to identify the order of components ( Warren , 1968b ; see also Warren , Obusek , Farmer , & Warren , 1969 ) . Listeners heard a sequence of four sounds consisting of successive steady statements of a hiss , a tone , a buzz ...
... listeners to identify the order of components ( Warren , 1968b ; see also Warren , Obusek , Farmer , & Warren , 1969 ) . Listeners heard a sequence of four sounds consisting of successive steady statements of a hiss , a tone , a buzz ...
內容
SPATIAL LOCALIZATION | 31 |
Pitch and Infra pitch | 85 |
Pitches Produced by Dichotic Interactions | 96 |
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常見字詞
acoustic addition alternating analysis appears auditory band basilar membrane changes chapter close complex components concerning considered consisting continuity corresponding cues delay described detection determined direct discussed distance durations echo effect employed estimate evidence experiments figure filters frequency function fundamental harmonics heard hearing identification illusory increase indicated induction intensity involving iterated Journal judgments lateral limit listeners loudness lower measured mechanisms msec musical naming nature neural noise normal noted observed occur patterns perceived perception periodic permit phonemes pitch polarity position possible presented processing produced pulse range recycled relation relative repeated repetition reported response restoration seen segments sensory separate sequences shown signal single sinusoidal Society of America sound Source spectral speech stimulus subjects suggested temporal theory threshold tion tonal tone trains verbal vocal voice vowels Warren waveform