Auditory Perception: A New SynthesisElsevier Science & Technology Books, 1982 - 237 頁 Auditory Perception: A New Synthesis focuses on the effort to show the connections between key areas in hearing. The book offers a review of classical problems, and then presents interpretations and evidence of this topic. A short introduction to the physical nature of sound and the way sound is transmitted and changed within the ear is provided. The book discusses the importance of being able to identify the source of a sound, and then presents processes in this regard. The text provides information on the organs involved in the identification of sound and discusses pitch and infrapitch and ... |
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第 1 到 3 筆結果,共 76 筆
第 82 頁
... figure 3.13 . This figure shows the patterns corresponding to a 10 msec portion of the 500 msec period of a 2 Hz iterated noise segment . The noise segment was excised from pink noise band - passed from 100 through 10,000 Hz . Since the ...
... figure 3.13 . This figure shows the patterns corresponding to a 10 msec portion of the 500 msec period of a 2 Hz iterated noise segment . The noise segment was excised from pink noise band - passed from 100 through 10,000 Hz . Since the ...
第 86 頁
... figure 3.14A . According to spectral theories , the pitch heard for noise mixed with its echo corresponds to the fundamental of the harmonic series of peaks at 1/7 Hz . There is evidence that temporal information may contribute to echo ...
... figure 3.14A . According to spectral theories , the pitch heard for noise mixed with its echo corresponds to the fundamental of the harmonic series of peaks at 1/7 Hz . There is evidence that temporal information may contribute to echo ...
第 94 頁
... Figure 3.18 illustrates the nature of patterns produced by a 200 Hz alternating polarity stimulus when a series of 1 / 3 - octave filters were used to simulate critical bands on the basilar membrane as in figures 3.9 and 3.11 . It can ...
... Figure 3.18 illustrates the nature of patterns produced by a 200 Hz alternating polarity stimulus when a series of 1 / 3 - octave filters were used to simulate critical bands on the basilar membrane as in figures 3.9 and 3.11 . It can ...
內容
SPATIAL LOCALIZATION | 31 |
Pitch and Infra pitch | 85 |
Pitches Produced by Dichotic Interactions | 96 |
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acoustic addition alternating analysis appears auditory band basilar membrane changes chapter close complex components concerning considered consisting continuity corresponding cues delay described detection determined direct discussed distance durations echo effect employed estimate evidence experiments figure filters frequency function fundamental harmonics heard hearing identification illusory increase indicated induction intensity involving iterated Journal judgments lateral limit listeners loudness lower measured mechanisms msec musical naming nature neural noise normal noted observed occur patterns perceived perception periodic permit phonemes pitch polarity position possible presented processing produced pulse range recycled relation relative repeated repetition reported response restoration seen segments sensory separate sequences shown signal single sinusoidal Society of America sound Source spectral speech stimulus subjects suggested temporal theory threshold tion tonal tone trains verbal vocal voice vowels Warren waveform