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" It had become so pitch dark that we listeners could hardly see one another. For a long time already he, sitting apart, had been no more to us than a voice. There was not a word from anybody. The others might have been asleep, but I was awake. I listened,... "
Youth and Two Other Stories - 第 94 頁
Joseph Conrad 著 - 1903 - 381 頁
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Heart of Darkness and The Secret Sharer

Joseph Conrad - 2004 - 208 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...lips in the heavy night-air of the river. ". . . Yes — 1 let him run on," Marlow began again, "and think what he pleased about the powers that were behind...
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Comparative Literature East and West: Traditions and Trends

Cornelia Niekus Moore, Raymond A. Moody - 1989 - 219 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...itself without human lips in the heavy night-air of the river.19 Like Pili or Conrad's Marlow, the novelistic third-person narrator — the narrator of Pouliuli,...
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Heart of Darkness

Joseph Conrad - 1990 - 72 頁
...that seemed to shape itself without human lips in the heavy night air of the river. "„ . . Yes^I let him run on," Marlow began again, "and think what...nothing but that wretched, old, mangled steamboat 1 was leaning against, while he talked fluently about 'the necessity for every man to get on.' 'And...
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Conrad's Fiction as Critical Discourse

Richard Ambrosini - 1991 - 253 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...without human lips in the heavy night-air of the river. (83) Here, the frame narrator brings out, as if he were a litmus paper, the intellectual and emotional...
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The Poetics of the Mind's Eye: Literature and the Psychology of Imagination

Christopher Collins - 1991 - 224 頁
...watch for the sentence, the word, that would give me the clew to the faint uneasiness inspired by the narrative that seemed to shape itself without human lips in the heavy night-air of the river. (82-83) The visual image of the diegetic messenger, his perceptual presence, now as the darkness advances,...
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Reading with a Difference: Gender, Race, and Cultural Identity

Arthur F. Marotti - 1993 - 400 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...seemed to shape itself without human lips in the heavy night air of the river" (28). Constructing himself in Kurtz's image, Marlow fulfills the colonial imperative...
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Heart of Darkness and Other Stories

Joseph Conrad - 1995 - 219 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...pleased about the powers that were behind me. I did! And mere was nothing behind me! There was nothing but that wretched, old, mangled steamboat I was leaning...
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Heart of Darkness and Other Stories

Joseph Conrad - 1995 - 219 頁
...listened, I listened on the watch for the sentence, for the word, that would give me the clue to die faint uneasiness inspired by this narrative that seemed...lips in the heavy night-air of the river. '. . . Yes - 1 let him run on,' Marlow began again, 'and think what he pleased about the powers that were behind...
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Conrad and Gide: Translation, Transference and Intertextuality

Russell West - 1996 - 187 頁
...voice.... I listened, 1 listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...without human lips in the heavy night-air of the river" 1HD, 173). The disincarnation of Marlow's narrative results in the loss of a person to whom a direct...
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Solitude Versus Solidarity in the Novels of Joseph Conrad: Political and ...

Ursula Lord - 1998 - 358 頁
...awake. I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative...without human lips in the heavy night-air of the river" (58). The narrator listens for, and Marlow searches for, the word that will disclose meaning. The metaphoric...
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