Centring the Self: Subjectivity, Society, and Reading from Thomas Gray to Thomas HardyScolar Press, 1995 - 273 頁 These essays focus primarily on the theme of selfhood and subjective experience in the poetry of the British Romantic period, and in the later poetry and novels that were its legacy. There are chapters on Gray, Cowper, Wordsworth, Coleridge, Keats, Shelley, Byron, Hardy and George Eliot - writers who, though often having a strong interest in public affairs, all turned inwards to make trial of imagination and the individual life as sources of order and value against a background of cultural unsettlement. The book moves from the emergence of post-Enlightenment psychological man to the proto-modernist preoccupation with the self as construct in Byron and Hardy. |
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第 1 到 3 筆結果,共 22 筆
第 224 頁
... Jude at last , not into distinguishing the real and the ideal , but into conflating them : ' O it is too flattering , so I won't go on ! But say it's me say it's me ! ' . And Jude does so : ' It is you , dear , exactly like you ...
... Jude at last , not into distinguishing the real and the ideal , but into conflating them : ' O it is too flattering , so I won't go on ! But say it's me say it's me ! ' . And Jude does so : ' It is you , dear , exactly like you ...
第 225 頁
... Jude - but he has his say Jude's actual failure to get into the University is taken for granted ; the ' gates were shut ' against him , no more , no less . The only voice we hear from the inside suggests an unbridgeable gulf between the ...
... Jude - but he has his say Jude's actual failure to get into the University is taken for granted ; the ' gates were shut ' against him , no more , no less . The only voice we hear from the inside suggests an unbridgeable gulf between the ...
第 235 頁
... Jude from behind the barrier of a window ( ' I can talk to you better like this than when you are inside ' ) , furtively communicates both her desire to be with him and her fear of experience at close quarters , her repressed yet ...
... Jude from behind the barrier of a window ( ' I can talk to you better like this than when you are inside ' ) , furtively communicates both her desire to be with him and her fear of experience at close quarters , her repressed yet ...
內容
William Cowper and the Condition of England | 19 |
Cowpers The Castaway | 33 |
Wordsworth Bunyan and the Puritan Mind | 69 |
著作權所有 | |
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常見字詞
actual apparent beauty becomes brings Byron calls Canto Castaway Chapter Childe Harold claims close comes condition course Cowper creative Critical dark death desire despair divine dream edition effect English eternal event example existence experience expression fact faith fear feeling figure final force give grace Gray hand heart hope human hymns idea ideal imagination individual interest interpretation John Jude Julian and Maddalo Keats Keats's language least less Letters light limits lines living London meaning mind nature never objects once Oxford past poem poet poet's poetic poetry political present Prose Puritan question reader reading reference relation remains represents response Romantic seems sense Shelley Shelley's soul spirit stands stanza suffering suggests takes talk things thou thought true truth turn universe vision whole Wordsworth