Centring the Self: Subjectivity, Society, and Reading from Thomas Gray to Thomas Hardy
Scolar Press, 1995 - 273 頁
These essays focus primarily on the theme of selfhood and subjective experience in the poetry of the British Romantic period, and in the later poetry and novels that were its legacy. There are chapters on Gray, Cowper, Wordsworth, Coleridge, Keats, Shelley, Byron, Hardy and George Eliot - writers who, though often having a strong interest in public affairs, all turned inwards to make trial of imagination and the individual life as sources of order and value against a background of cultural unsettlement. The book moves from the emergence of post-Enlightenment psychological man to the proto-modernist preoccupation with the self as construct in Byron and Hardy.
讀者評論 - 撰寫評論
Wordsworth Bunyan and the Puritan Mind
Indeterminacy of Meaning in The Ancient Mariner
apparent beauty becomes brings Byron calls Canto Castaway Chapter Childe Harold claims close comes condition course Cowper creative Critical dark death desire despair divine dream edition effect English eternal event example existence experience expression face fact faith fear feeling figure final force give grace Gray hand heart hope human idea ideal imagination individual interest interpretation John Jude Julian and Maddalo Keats Keats's language least less Letters light limits lines living London meaning mind nature never object once Oxford past poem poet poet's poetic poetry political positive present Progress Prose Puritan question reader reading reference relation represents response Romantic seems sense Shelley Shelley's soul spirit stands stanza suffering suggests takes things thou thought true truth turn universe vision whole Wordsworth