BALLADS. THE SKELETON IN ARMOUR. [THE following ballad was suggested to me while riding on the seashore at Newport. A year or two previous, a skeleton had been dug up at Fall River, clad in broken and corroded armour; and the idea occurred to me of connecting it with the Round Tower at Newport, generally known hitherto as the Old Windmill, though now claimed by the Danes as a work of their early ancestors. Professor Rafn, in the Mémoires de la Société Royale des Antiquaires du Nord, 1838-1839, says: "There is no mistaking in this instance the style in which the more ancient stone edifices of the North were constructed, the style which belongs to the Roman or ante-Gothic architecture, and which, especially after the time of Charlemagne, diffused itself from Italy over the whole of the west and north of Europe, where it continued to predominate until the close of the twelfth century; that style, which some authors have, from one of its most striking characteristics, called the round-arch style, the same which in England is denominated Saxon, and sometimes Norman architecture. "On the ancient structure in Newport there are no ornaments remaining, which might possibly have served to guide us in assigning the probable date of its erection. That no vestige whatever is found of the pointed arch, nor any approximation to it, is indicative of an earlier rather than of a later period. From such characteristics as remain, however, we can scarcely form any other inference than one, in which I am persuaded that all who are familiar with old-northern architecture will concur, THAT THIS BUILDING WAS ERECTED AT A PERIOD DECIDEDLY NOT LATER THAN THE TWELFTH CENTURY. This remark applies, of course, to the original building only, and not to the alterations that it subsequently received; for there are several such alterations in the upper part of the building which cannot be mistaken, and which were most likely oc casioned by its being adapted in modern times to various uses, for example, as the substructure of a windmill, and latterly as a hay-magazine. To the same times may be referred the windows, the fireplace, and the apertures made above the columns. That this building could not have been erected for a windmill, is what an architect will easily discern." I will not enter into a discussion of the point. It is sufficiently well established for the purpose of a ballad; though doubtless many an honest citizen of Newport, who has passed his days within sight of the Round Tower, will be ready to exclaim with Sancho: "God bless me! did I not warn you to have a care of what you were doing, for that it was nothing but a windmill; and nobody could mistake it, but one who had the like in his head."] "SPEAK! speak! thou fearful guest! Comest to daunt me! Wrapt not in eastern balms, Why dost thou haunt me?" Then, from those cavernous eyes As when the northern skies Gleam in December; And, like the water's flow Under December's snow, Came a dull voice of woe From the heart's chamber. "I was a Viking old! My deeds, though manifold, Else dread a dead man's curse! Far in the northern land, Oft to his frozen lair Oft through the forest dark Sang from the meadow. But when I older grew, Wild was the life we led ; Many the hearts that bled, Many a wassail-bout Wore the long winter out; As we the Berserk's tale Once as I told in glee Tales of the stormy sea, Soft eyes did gaze on me, And as the white stars shine On the dark Norway pine, On that dark heart of mine Fell their soft splendour. I wooed the blue-eyed maid, Our vows were plighted. Under its loosened vest Fluttered her little breast, Like birds within their nest Bright in her father's hall When of old Hildebrand I asked his daughter's hand, To hear my story. While the brown ale he quaffed, Loud then the champion laughed, And as the wind-gusts waft The sea-foam brightly, So the loud laugh of scorn, |