 | Anthony Ashley Cooper Earl of Shaftesbury - 1714 - 382 頁
...Sentiments and Action, and diftinguilh.es the Beautiful from the Deformed, the Ami Able from the Odivtts. The Moral Artift, who can thus imitate the Creator,...and Structure of his Fellow-Creature, will hardly, I prelume, be found unknowing in Himfelf, or at a lols in thole Numbers which make , the Harmony of a... | |
 | François de Salignac de La Mothe- Fénelon - 1722 - 360 頁
...and diftinguiflies the Beautiful, from the Deform'd ; the Amiable, from the Odious. The moral Artifl who can thus imitate the Creator, and is thus knowing in the inward Form and Structure of his FellowCreaturt, will hardly, I prefume, be found unknowing in Himfelf, or at a lofs in thofe Numbers... | |
 | Anthony Ashley Cooper Earl of Shaftesbury - 1723 - 388 頁
...them, marks the Sublime of Sentiments and Adlion, and diftinguifhes the Beautiful from the 'Deforrid, the Amiable from the Odious. The moral Artift, who...Himfelf, or at a lofs in thofe Numbers which make the Harmony of a Mind. For Knavery is Vol. i. O mere ADVICE to an Author. mere cDijffbnance and cD'iffroportlon.... | |
 | Anthony Ashley Cooper Earl of Shaftesbury - 1727 - 384 頁
...juftly reprefents them, marks the Sublime of Sentiments and Adtion, and diftinguimes the Beautiful from the 'Deform' d, the Amiable from the Odious....Fellow-Creature, will hardly, I prefume, be found unknowing in Him/elf, or at a lofs in thofe Numbers which make the Harmony of a Mind. For Knavery js Vol. i. O mere... | |
 | Vertot (abbé de) - 1740 - 158 頁
...marks the fublime of the Sentiments and Action, and diftinguifhes the Beautiful from the Deformed, the Amiable from the Odious. The moral Artift, who...himfelf, or at a Lofs in thofe Numbers which make the Harmony of a Mind. For Knavery is mere Diffonance and Disproportion. And tho' Villains may have ftrong... | |
 | Anthony Ashley Cooper Earl of Shaftesbury - 1773 - 388 頁
...juftly reprefents them, marks the Sublime of Sentiments and A&ion, and diftinguifhes the Beautiful from the Deform d. the Amiable from the Odious. The...Himfelf, or at a lofs in thofe Numbers which make the Harmony of a Mind. For Knavery is mere Diffunance and Dif proportion. And tho Villains VOL. I. O may... | |
 | Hubert Ashton Holden - 1852 - 380 頁
...action, and distinguishes the beautiful from the deformed, the amiable from the odious. The moral Artist, who can thus imitate the Creator, and is thus knowing...and structure of his fellow-creature, will hardly, I presume, be found unknowing in himself, or at a loss in those numbers which make the harmony of a mind.... | |
 | Anthony Ashley Cooper Earl of Shaftesbury - 1900 - 404 頁
...action, and distinguishes the beautiful from the deformed, the amiable from the odious. The moral artist who can thus imitate the Creator, and is thus knowing...and structure of his fellow-creature, will hardly, I presume, be found unknowing in himself, or at a loss in those numbers which make the harmony of a mind.... | |
 | William Robert Scott - 1900 - 326 頁
...actions, and distinguishes the Beautiful from the Deformed, the amiable from the odious. The Moral Artist, who can thus imitate the Creator, and is thus knowing in the inward form and structure of his fellow creature, will hardly, I presume, be found unknowing, in himself, or at a loss in those numbers... | |
 | Elsie Winifred Halmrich - 1912 - 416 頁
...actions and distinguishes the beautiful from the deformed, the amiable from the odious. The moral artist, who can thus imitate the Creator and is thus knowing in the inward form and structure of his fellowcreatures, will hardly be found unknowing in himself or at a loss in those numbers which make... | |
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The moral artist who can thus imitate the Creator, and is thus knowing in the inward form and structure of his fellow-creature, will hardly, I presume, be found unknowing in himself, or at a loss in those numbers which make the harmony of a mind. 
