The Eclectic Museum of Foreign Literature, Science and Art, 第 3 卷John Holmes Agnew, Eliakim Littell E. Littell, 1843 |
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第 2 頁
... character on the one hand quite low into mere handi- of its productions , that is , by their fashion- craft , and on the other , as the quintessence able modishness , and to impart an artistical of learned and aesthetical culture ...
... character on the one hand quite low into mere handi- of its productions , that is , by their fashion- craft , and on the other , as the quintessence able modishness , and to impart an artistical of learned and aesthetical culture ...
第 3 頁
... character . Or , if it should already partly have discovered this key- stone , we are unable , in the confused exu- berance and multitude of productions , to discern it . So much cried up as of vast importance , as a revelation in its ...
... character . Or , if it should already partly have discovered this key- stone , we are unable , in the confused exu- berance and multitude of productions , to discern it . So much cried up as of vast importance , as a revelation in its ...
第 4 頁
... character ? matter , obtained the most pernicious prac- And these beautiful structures progressed tical influence ; and in a so much the higher with astonishing rapidity . From this time degree , as the only true main ingredient , the ...
... character ? matter , obtained the most pernicious prac- And these beautiful structures progressed tical influence ; and in a so much the higher with astonishing rapidity . From this time degree , as the only true main ingredient , the ...
第 7 頁
... character- crisp and withered shoots of a premature istic stereotype features so prevalent in summer - season of the mind , prematurely certain departments of our literature : the come to an end . We discover the principal most singular ...
... character- crisp and withered shoots of a premature istic stereotype features so prevalent in summer - season of the mind , prematurely certain departments of our literature : the come to an end . We discover the principal most singular ...
第 10 頁
... body , a censor morum ; they are unequally scattered through the mass ; their influence on the course and character of literature is in many respects much curtailed ; and thus the voice and in the 10 [ SEPT . THE PRESS AND THE AGE .
... body , a censor morum ; they are unequally scattered through the mass ; their influence on the course and character of literature is in many respects much curtailed ; and thus the voice and in the 10 [ SEPT . THE PRESS AND THE AGE .
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Addison æsthetical animal Anytus appear Athens beautiful better Breton Brittany called Catherine cause character Chile church circumstances clairvoyance Coleridge Colonel Torrens common Crito Cuba death duty Earl effect England English evil eyes Father Girard feeling France Francia French friends genius give guano hand heart honor horse human idea Ireland Irish Jane Kennedy Jesuit king labor ladies land less literary literature living look Lord Lord Brougham manner master means ment merism Mesmerism Mexico mind nature never night object once Paraguay party passed persons Phædo Plato poetical poetry political poor present priests produce quantity Queen remarkable Rengger ROBERT SOUTHEY Robertson seems sent Socrates soil soul Southey spirit Strafford strange Swift tain thing thou thought tion truth Whig whole words Wordsworth write young
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第 326 頁 - And now, when comes the calm mild day, as still such days will come, To call the squirrel and the bee from out their winter home ; When the sound of dropping nuts is heard, though all the trees are still, And twinkle in the smoky light the waters of the rill, The south wind searches for the flowers whose fragrance late he bore, And sighs to find them in the wood and by the stream no more.
第 115 頁 - O'er bog or steep, through strait, rough, dense, or rare, With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
第 155 頁 - And at evening let them return; and let them make a noise like a dog, and go round about the city. 15 Let them wander up and down for meat, and grudge if they be not satisfied.
第 433 頁 - Tis mercy bids thee go ; For thou ten thousand thousand years Hast seen the tide of human tears, That shall no longer flow. " What though beneath thee man put forth His pomp, his pride, his skill; And arts that made fire, flood, and earth The vassals of his will ? Yet mourn I not thy parted sway, Thou dim, discrowned king of day For all those trophied arts And triumphs that beneath thee sprang, Healed not a passion or a pang Entailed on human hearts.
第 326 頁 - Alas ! they all are in their graves, the gentle race of flowers Are lying in their lowly beds with the fair and good of ours. The rain is falling where they lie, but the cold November rain Calls not from out the gloomy earth the lovely ones again.
第 433 頁 - ALL worldly shapes shall melt in gloom, The Sun himself must die, Before this mortal shall assume Its immortality ! I saw a vision in my sleep, That gave my spirit strength to sweep Adown the gulf of Time ! I...
第 238 頁 - Irish wit, throws a double portion of severity into his countenance while laughing inly ; but preserves a look peculiarly his own, a look of demure serenity, disturbed only by an arch sparkle of the eye, an almost imperceptible elevation of the brow, an almost imperceptible curl of the lip.
第 235 頁 - ... and had written a religious treatise and several comedies. He was one of those people whom it is impossible either to hate or to respect. His temper was sweet, his affections warm, his spirits lively, his passions strong, and his principles weak. His life was spent in sinning and repenting ; in inculcating what was right, and doing what was wrong. In speculation, he was a man of piety and honour ; in practice he was much of the rake and a little of the swindler.
第 254 頁 - Edward and the graves of the Plantagenets, to the Chapel of Henry the Seventh. On the north side of that chapel, in the vault of the House of Albemarle, the coffin of Addison lies next to the coffin of Montague.
第 325 頁 - THE melancholy days are come, the saddest of the year, Of wailing winds, and naked woods, and meadows brown and sere. Heaped in the hollows of the grove, the autumn leaves lie dead ; They rustle to the eddying gust, and to the rabbit's tread ; The robin and the wren are flown, and from the shrubs the jay, And from the wood-top calls the crow through all the gloomy day. Where are the flowers, the fair young flowers...