On Record: Rock, Pop and the Written WordRoutledge, 2006年5月23日 - 508 頁 Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors |
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aesthetic album American analysis artists audience band beat Beatles become blues boys Buddy Buddy Holly chorus classical commercial consumer critical dance disco dominant effect Elvis Elvis Presley emotional example experience expression fans fantasy feel female feminist film genre gigs girl-group girls guitar heavy metal Hebdige Holly Holly's Hounds of Love ideology important instruments jazz Kate Bush language listening live male masculinity mass media meaning melody mode music industry musicians musicologists organization pattern performance play political pop music popular music practice problem production progressive rock punk radio record companies relationship rhythm rhythm and blues rock and roll rock music Rocket to Russia role sequence sexual significant singing social song sound mixers stars structure style subcultures success symbolic teenage teenybop thing traditional verse vocal voice women words working-class young youth culture