Works of Lord Byron: With His Letters and Journals, and His Life, 第 4 卷John Murray, 1833 |
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第 1 到 5 筆結果,共 51 筆
第 4 頁
... whole at dif- ferent times . The two first Acts are the best ; the third so so ; but I was blown with the first and second heats . You must call it a Poem , ' for it is no Drama , and I do not choose to have it called by so ** a name ...
... whole at dif- ferent times . The two first Acts are the best ; the third so so ; but I was blown with the first and second heats . You must call it a Poem , ' for it is no Drama , and I do not choose to have it called by so ** a name ...
第 10 頁
... whole ) begin only at the 17th page ; but as I had corrected and sent back the first Act , it does not signify . " The third Act is certainly d - d bad , and , like the Archbishop of Grenada's homily ( which savoured of the palsy ) ...
... whole ) begin only at the 17th page ; but as I had corrected and sent back the first Act , it does not signify . " The third Act is certainly d - d bad , and , like the Archbishop of Grenada's homily ( which savoured of the palsy ) ...
第 15 頁
... whole space by which he before fell short of perfection , all these circumstances , connected with the production of this grand poem , lay open to us features , both of his disposition and genius , in the highest degree interesting ...
... whole space by which he before fell short of perfection , all these circumstances , connected with the production of this grand poem , lay open to us features , both of his disposition and genius , in the highest degree interesting ...
第 26 頁
... whole , ancient and modern , it beats Greece , Constantinople , every thing at least that I have ever seen . But I can't describe , because my first impressions are always strong and confused , and my memory selects and reduces them to ...
... whole , ancient and modern , it beats Greece , Constantinople , every thing at least that I have ever seen . But I can't describe , because my first impressions are always strong and confused , and my memory selects and reduces them to ...
第 35 頁
... whole dram . pers . ( for they are all as mad as Manuel , who surely must have had more interest with a corrupt bench than a distant relation and heir presumptive , somewhat suspect of homicide , ) I do not wonder at its failure . As a ...
... whole dram . pers . ( for they are all as mad as Manuel , who surely must have had more interest with a corrupt bench than a distant relation and heir presumptive , somewhat suspect of homicide , ) I do not wonder at its failure . As a ...
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acquaintance addressed admiration Allegra answer arrival beautiful believe Beppo Bologna Canto character Childe Harold copy Count Guiccioli Countess Countess Guiccioli Dante Don Juan England English extracts feel Ferrara fourth Canto Francesca of Rimini Gifford gondola hear heard heart Hobhouse honour hope Hoppner horses humour husband Italian Italy Kinnaird lady late least letter Lido living look Lord Byron Lord G Madame Guiccioli Manfred Manuel Marino Faliero mean mind Mira Moore Morgante Maggiore MURRAY never night noble obliged opinion Padua passion perhaps person poem poet poetry Pray present proofs prose publication published Pulci Ravenna recollect ride Rome sent spirit stanzas suppose tell thee thing third Canto thou thought told tragedy translation Venetian Venice verse whole wish woman word write written wrote
熱門章節
第 255 頁 - Twas twilight, and the sunless day went down Over the waste of waters ; like a veil, Which, if withdrawn, would but disclose the frown Of one whose hate is mask'd but to assail. Thus to their hopeless eyes...
第 194 頁 - Oh, Love! what is it in this world of ours Which makes it fatal to be loved? Ah why With cypress branches hast thou wreathed thy bowers, And made thy best interpreter a sigh? As those who dote on odours pluck the flowers, And place them on their breast — but place to die — Thus the frail beings we would fondly cherish Are laid within our bosoms but to perish.
第 206 頁 - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles.
第 173 頁 - I greatly fear that the Guiccioli is going into a consumption, to which her constitution tends. Thus it is with every thing and every body for whom I feel any thing like a real attachment; — "War, death, or discord,
第 163 頁 - Venice, gave His body to that pleasant country's earth, And his pure soul unto his captain Christ, Under whose colours he had fought so long.
第 253 頁 - I should like to know who has been carried off, except poor dear me. I have been more ravished myself than anybody since the Trojan war...
第 195 頁 - But you will recognise the hand-writing of him who passionately loved you, and you will divine that, over a book which was yours, he could only think of love. In that word, beautiful in all languages, but most so in yours — Amor mio — is comprised my existence here and hereafter.
第 135 頁 - Sheridan, never mind the angry lies of.the humbug Whigs. Recollect that he was an Irishman and a clever fellow, and that we have had some very pleasant days with him. Don't forget that he was at school at Harrow, where, in my time, we used to show his name — RB Sheridan, 1765, — as an honour to the walls. Remember * *. Depend upon it that there were worse folks going, of that gang, than ever Sheridan was.
第 41 頁 - In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone — but Beauty still is here. States fall, arts fade — but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!
第 346 頁 - ... ever started. He tells us that the surfaces of all bodies are perpetually flying off from their respective bodies, one after another; and that these surfaces or thin cases that included each other whilst they were joined in the body like the coats of an onion, are sometimes seen entire when they are separated from it; by which means we often behold the shapes and shadows of persons who are either dead or absent.