Shakespeare Survey, 第 45 卷Stanley Wells Cambridge University Press, 2002年11月28日 - 224 頁 Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set. |
搜尋書籍內容
第 1 到 5 筆結果,共 32 筆
第 2 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 5 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 11 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 12 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 13 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
內容
The Reception of Hamlet | 1 |
The Uses and Abuses of Historical Criticism | 15 |
Rewriting Gertrude | 27 |
Gazing at Hamlet or the Danish Cabaret | 37 |
Hamlet and Gertrude on Screen | 53 |
Shakespeare Rewound | 63 |
Freuds Hamlet | 75 |
Implications of Un in King Lear | 79 |
Shakespeare Performances in England 19901 | 115 |
Professional Shakespeare Production in the British Isles JanuaryDecember 1990 | 145 |
The Years Contributions to Shakespeare Studies | 159 |
A Shakespeare Music Catalogue | 171 |
Shakespeares Life Times and Stage | 175 |
Editions and Textual Studies | 193 |
Books Received | 205 |
207 | |
其他版本 - 查看全部
常見字詞
action actors Antony and Cleopatra argues audience Burbage Cambridge Carpenters century character Claudius closet scene comedy contemporary context Coriolanus court critics cultural David Designer Director discussion drama duction edition Elizabethan English English Shakespeare Company essay exit Falstaff female film Folio foul papers gaze gender Gertrude Gertrude's ghost Hamlet Henry Horatio interpretation John Juliet King Lear Laertes Lear's London Macbeth Marx Marx's Michael modern Nielsen's nineteenth-century Olivier Olivier's Ophelia Oxford performance Peter Street play's political Polonius Prince production promptbook Prosser reading Renaissance revenge Revenge Tragedy Richard Richard III Robert role Romeo Royal Shakespeare Company Royal Shakespeare Theatre says Second Quarto seems sense sexual Shake Shakespeare Company Shakespearian Shylock speare speare's stage directions Stephen Coleman Street Stoll suggests textual theatrical theory Timon tion tour tradition Tragedy undo Vining's visual William woman women words York