Baudelaire/Shapiro: Selected Poems from Les Fleurs du mal

封面
University of Chicago Press, 1998年5月28日 - 209 頁
In a masterly translation by Norman Shapiro, this selection of poems from Les Fleurs du mal demonstrates the magnificent range of Baudelaire's gift, from the exquisite quatrains to the formal challenges of his famous sonnets. The poems are presented in both French and English, complemented by the work of illustrator David Schorr. As much a pleasure to look at as it is to read, this volume invites newcomers and devotees alike to experience Baudelaire's genius anew.

"A fine, formal translation of the best poems of France's founder of the symbolist movement."—St. Louis Post-Dispatch

"It's rare to find a rewarding translation of a masterwork, particularly a collection of groundbreaking poetry. . . . Through Shapiro's skillful wordsmithing, the reader can fully appreciate Baudelaire's control of the soul and the word which is the ancient and indefatigable ambition of all great poets. . . . Shapiro's interpretations set the standard for future English translations."—Virginia Quarterly Review
 

內容

I
II
III
IV
2
V
6
VI
8
VII
10
VIII
11
LXX
99
LXXI
100
LXXII
101
LXXIII
104
LXXIV
105
LXXV
106
LXXVI
107
LXXVII
108

IX
12
X
13
XI
14
XII
15
XIII
16
XIV
17
XV
18
XVI
19
XVII
20
XVIII
21
XIX
22
XX
23
XXI
26
XXII
27
XXIII
28
XXIV
29
XXV
30
XXVI
34
XXVII
35
XXVIII
38
XXIX
39
XXX
40
XXXI
42
XXXII
43
XXXIII
44
XXXIV
48
XXXV
49
XXXVI
52
XXXVII
53
XXXVIII
54
XXXIX
55
XL
56
XLI
57
XLII
58
XLIII
59
XLIV
60
XLV
61
XLVI
62
XLVII
63
XLVIII
66
XLIX
67
L
68
LI
69
LII
72
LIII
73
LIV
74
LV
75
LVI
76
LVII
78
LVIII
79
LIX
80
LX
81
LXI
82
LXII
83
LXIII
84
LXIV
85
LXV
88
LXVI
92
LXVII
96
LXVIII
97
LXIX
98
LXXVIII
109
LXXIX
110
LXXX
112
LXXXI
113
LXXXII
114
LXXXIII
115
LXXXIV
116
LXXXV
117
LXXXVI
118
LXXXVII
119
LXXXVIII
120
LXXXIX
122
XC
123
XCI
124
XCII
125
XCIII
126
XCIV
127
XCV
128
XCVI
129
XCVII
130
XCVIII
131
XCIX
132
C
133
CI
134
CII
135
CIII
136
CIV
137
CV
138
CVI
139
CVII
140
CVIII
141
CIX
142
CX
143
CXI
144
CXII
145
CXIII
146
CXIV
150
CXV
151
CXVI
152
CXVII
153
CXVIII
154
CXIX
155
CXX
156
CXXI
157
CXXII
158
CXXIII
159
CXXIV
160
CXXV
161
CXXVI
162
CXXVII
163
CXXVIII
164
CXXIX
165
CXXX
166
CXXXI
167
CXXXII
168
CXXXIII
171
CXXXIV
174
CXXXV
175
CXXXVI
183
CXXXVII
185
CXXXVIII
187

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關於作者 (1998)

Charles Baudelaire, 1821 - 1867 Charles Baudelaire had perhaps had an immeasurable impact on modern poetry. He was born on April 9, 1821, to Joseph-Francois Baudelaire and Caroline Archimbaut Dufays in Paris. He was educated first at a military boarding school and then the College Louis-le-Grand, where he was later expelled in 1839. Baudelaire then began to study law, at the Ecole de Droit in Paris, but devoted most of his time to debauchery. After an abortive trip to the East, he settled in Paris and lived on an inheritance from his much despised step father, while he wrote poetry. During this period he met Jeanne Duval, a mulatto with whom he fell in love with and who became the "Black Venus," the muse behind some of his most powerful erotic verse. Baudelaire strove to portray sensual experiences and moods through complex imagery and classical form, avoiding sentimentality and objective description. Thus he profoundly influenced the later French symbolist writers, including Mallarme and Rimbaud, and such English-language poets as Yeats, Eliot, and Stevens. With much of his inheritance squandered, Baudelaire turned to journalism, especially art and literary criticism, the first of which were "Les Salons". Here he discovered the work of Edgar Allan Poe, which became an influence on his own poetry. While continuing to write unpublished verse, Baudelaire became famous as critic and translator of Poe. This reputation enabled Baudelaire to publish his most famous collection of poetry, "Les Fleurs du Mal" (The Flowers of Evil) in 1857. The result was an obscenity trial and the banning of six of the poems. Though he continued to write journalism with some success, he became increasingly depressed and pessimistic. Baudelaire attempted suicide in 1845, an attempt to get attention, and became minorly involved in the French Revolution. Today Baudelaire's work is considered the "last brilliant summation of romanticism, precursor of symbolism and the first expression of modern techniques". It was his originality that set him apart and ultimately proved to be his end. Baudelaire died, apparently from complications of syphilis, on August 31, 1867, in Paris.

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