 | Harriet Martineau - 1838 - 318 頁
...new vigour, when the extremities are made active, when currents of warm life run into the hands and feet. I ask not for the great, the remote, the romantic; what is doing in Italy and Arabia; what is Greek art, or Provenqal minstrelsy; I embrace the common, I explore and sit at... | |
 | Ralph Waldo Emerson - 1848 - 384 頁
...great stride. It is a sign,—is it not ? of new vigour, when the extremities are made active—when currents of warm life run into the hands and the feet...Greek art, or Provencal minstrelsy ; I embrace the common—I explore and sit at the feet of the familiar—the low. Give me insight into to-day, and... | |
 | Ralph Waldo Emerson - 1849 - 408 頁
...sublime and beautiful; the near, the low, the common, was explored and poetized. That, which had been negligently trodden under foot by those who were harnessing...is doing in Italy or Arabia; what is Greek art, or Provenqal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low.... | |
 | Kenelm Henry Digby - 1854 - 626 頁
...vigour, when the extremities are made active — when currents of warm life run into the hands and feet? I ask not for the great, the remote, the romantic...is doing in Italy or Arabia, what is Greek art or Provencial minstrelsy ; I embrace the common ; 1 explore and sit at the feet of the familiar and the... | |
 | Ralph Waldo Emerson - 1856 - 404 頁
...sublime and beautiful ; the near, the low, the common, was explored and poetized. That, which had been negligently trodden under foot by those who were harnessing...is doing in Italy or Arabia ; what is Greek art, or Provencjal minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low.... | |
 | Sarah Carter Edgarton Mayo - 1847 - 344 頁
...the surest indication of the poet. ' I ask not,' says the great spiritual philosopher of America ; ' I ask not for the great, the remote, the romantic...is doing in Italy or Arabia; what is Greek art, or Provensal minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low.... | |
 | Ralph Waldo Emerson - 1870 - 592 頁
...household life, are the topics of the time. It. is a great stride. It is a sign — is it not 1 — of new vigor, when the extremities are made active,...is doing in Italy or Arabia ; what is Greek art, or ProvenQal minstrelsy ; I embrace the common, I explore and . sit at the feet of the familiar, the low.... | |
 | Ralph Waldo Emerson - 1875 - 584 頁
...sublime and beautiful ; the near, the low, the common, was explored and poetized. That, which had been negligently trodden under foot by those who were harnessing...what is doing in Italy or Arabia ; what is Greek art, of Proven9al minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the... | |
 | Ralph Waldo Emerson - 1876 - 326 頁
...the poor, the feelings of the child, the philosophy of the street, the meaning of household life, arc the topics of the time. It is a great stride. It is...minstrelsy ; I embrace the common, I explore and sit at tin; feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future... | |
 | Ralph Waldo Emerson - 1880 - 328 頁
...sublime and beautiful; the near, the low, the common, was explored and poetized. That, which had been negligently trodden under foot by those who were harnessing...Arabia ; what is Greek art, or Provencal minstrelsy ; u embjace the common, I explore and sit at the feet of the familiar, the \o^> Give me insight into... | |
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I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provengal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into today, and you may have... 
