Shakespeare's Tragic SequenceRoutledge, 2013年10月11日 - 216 頁 First published in 1972. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune. |
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第 22 頁
... look red as Titan's face Blushing to be encount'red with a cloud . ( II.iv.i6-3i ) Imagery is normally used to illuminate the thing described , but here the various images — the lopped tree , the river , the bubbling fountain , the ...
... look red as Titan's face Blushing to be encount'red with a cloud . ( II.iv.i6-3i ) Imagery is normally used to illuminate the thing described , but here the various images — the lopped tree , the river , the bubbling fountain , the ...
第 23 頁
... Look how the black slave smiles upon the father , As who should say , ' Old lad , I am thine own ' . ( IV.ii.88-121 ) Professor M. C. Bradbrook has rightly remarked that the character is a fusion of the ' medieval devil ' and the.
... Look how the black slave smiles upon the father , As who should say , ' Old lad , I am thine own ' . ( IV.ii.88-121 ) Professor M. C. Bradbrook has rightly remarked that the character is a fusion of the ' medieval devil ' and the.
第 26 頁
... look back , and pry on every side , Tremble and start at wagging of a straw , Intending deep suspicion : ghastly looks Are at my service , like enforced smiles ; And both are ready in their offices , At any time to grace my stratagems ...
... look back , and pry on every side , Tremble and start at wagging of a straw , Intending deep suspicion : ghastly looks Are at my service , like enforced smiles ; And both are ready in their offices , At any time to grace my stratagems ...
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內容
9 | |
20 | |
Julius Caesar | 42 |
Hamlet | 55 |
Othello | 93 |
King Lear | 117 |
Macbeth | 142 |
Antony and Cleopatra | 156 |
Coriolanus | 172 |
Timon of Athens | 187 |
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常見字詞
accept action Antony appears argued asks assume audience become beginning believe Brutus Caesar calls Cassio cause character Claudius Cleopatra committed concerned confesses conscience contrast Cordelia Coriolanus critics death Desdemona devil effect Elizabethan evil expressed eyes fact father fear feeling final followed friends Ghost give gods guilty Hamlet hand hath heart heaven hero Horatio human Iago idea imagery images imagination kill King Lear Lady Laertes later Lear's less lines live look Macbeth means mentioned merely mind moral mother motive murder nature never night noble Ophelia Othello passion play poor present Professor question realise reason refers regarded revealed revenge Richard says scene seems seen Shakespeare soliloquy soul speaks speech spirit stage story suggested tells thee thing thou thought Timon tragedy tragic true truth turn villain virtue wife wish