Brill's Companion to Roman TragedyBRILL, 2015年8月11日 - 472 頁 Until the Renaissance the centrality of Roman tragedy in Western society and culture was unchallenged. Studies on Roman Republican tragedy and on Imperial Roman tragedy by the contributors have been directing the gaze of scholarship back to Roman tragedy. This volume has two goals: first, to demonstrate that Republican tragedy had a far more central role in shaping Imperial tragedy than is currently thought, and quite possibly more important than Classical Greek tragedy. Second, the influence of other Roman literary genres on Roman tragedy is greater than has formerly been credited. Studies on von Kleist and Shelley, Eliot and Claus help reconstruct the ancient Roman stage by showing how moderns had thought to change it for contemporary aesthetics. |
內容
| 3 | |
Roman Tragedy in the MetaTheatre | 24 |
Roman TragedyCiceronian Tragedy? Ciceros Influence on Our Perception of Republican Tragedy | 45 |
The Romanness of Republican Tragedy | 63 |
Part 2 Empire | 91 |
The editio of Roman Tragedy | 93 |
The Logic of Declamation | 105 |
Seneca on the Fall of Troy | 118 |
Roman Tragedy and Philosophy | 238 |
Cued and Unannounced Entrances Especially Oedipus 81 and 784 | 260 |
Roman Tragedy through a Comic Lens | 283 |
Part 4 Seneca after Antiquity | 309 |
Schlegel Shelley and the Death of Seneca | 311 |
Hugo Claus Adaptations of Thyestes Oedipus and Phaedra | 330 |
TS Eliots Seneca | 348 |
Afterword | 365 |
Senecas Thyestes and the Political Tradition in Roman Tragedy | 151 |
Part 3 Interchange with Other Genres | 169 |
Epic Elements in Senecan Tragedy | 171 |
The Reception of Latin Archaic Tragedy in Ovids Elegy | 196 |
Tragic Rome? Roman Historical Drama and the Genre of Tragedy | 216 |
The Spectacle of Performance in the Roman Empire | 367 |
| 389 | |
| 421 | |
| 435 | |
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