American Elegy: The Poetry of Mourning from the Puritans to WhitmanU of Minnesota Press - 352 頁 The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today. Max Cavitch is assistant professor of English at the University of Pennsylvania. |
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第 1 到 5 筆結果,共 89 筆
第 1 頁
... day elegy remains a capacious , flexible , widely practiced poetic genre . It figures prominently on the contemporary scene : in the I work of formalist and experimental poets and in the accumulating Introduction: Leaving Poetry Behind.
... day elegy remains a capacious , flexible , widely practiced poetic genre . It figures prominently on the contemporary scene : in the I work of formalist and experimental poets and in the accumulating Introduction: Leaving Poetry Behind.
第 2 頁
The Poetry of Mourning from the Puritans to Whitman Max Cavitch. work of formalist and experimental poets and in the accumulating ef- fusions of Web site memorialists . It is well represented in revisionist as well as unreconstructed ...
The Poetry of Mourning from the Puritans to Whitman Max Cavitch. work of formalist and experimental poets and in the accumulating ef- fusions of Web site memorialists . It is well represented in revisionist as well as unreconstructed ...
第 9 頁
... Poetry , ” and , to make matters worse , most of the elegies are " wretchedly Dull and Ridiculous " ( 21 ) . She is therefore eager to alert her readers to what is ostensibly an exception : “ a most Excellent Piece of Poetry , entituled ...
... Poetry , ” and , to make matters worse , most of the elegies are " wretchedly Dull and Ridiculous " ( 21 ) . She is therefore eager to alert her readers to what is ostensibly an exception : “ a most Excellent Piece of Poetry , entituled ...
第 13 頁
... poetry generally remains both undernarrated and poorly integrated with the history of other discursive forms . Roy Harvey Pearce's The Continuity of American Poetry ( 1961 ) is still the comprehensive standard , and poetry remains at ...
... poetry generally remains both undernarrated and poorly integrated with the history of other discursive forms . Roy Harvey Pearce's The Continuity of American Poetry ( 1961 ) is still the comprehensive standard , and poetry remains at ...
第 18 頁
The Poetry of Mourning from the Puritans to Whitman Max Cavitch. and cultural transmission that nevertheless cannot ... poets , this chapter also explores ele- giac treatments of blacks by white poets , contrasting the compensa- tory ...
The Poetry of Mourning from the Puritans to Whitman Max Cavitch. and cultural transmission that nevertheless cannot ... poets , this chapter also explores ele- giac treatments of blacks by white poets , contrasting the compensa- tory ...
內容
1 | |
1 Legacy and Revision in EighteenthCentury AngloAmerican Elegy | 33 |
2 Elegy and the Subject of National Mourning | 80 |
Custodianship and Opposition in Antebellum Elegy | 108 |
Waldo Emerson and the Price of Generation | 143 |
African Americans and Elegy from Wheatley to Lincoln | 180 |
Whitman and the Future of Elegy | 233 |
Objects | 286 |
Notes | 295 |
Index | 335 |
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African ambivalence American elegy American Poetry antebellum Boston broadside Brown Bryant calls Cambridge century child contemporary continuity conventional Cotton Mather cultural dead death dream early eighteenth-century elegiac elegists elegy's Essays example experience expression father feeling figure Franklin Freneau funeral genre genre's George George Moses Horton grief helped Ibid idealization imagination Indian James John lament Leaves of Grass letter Library of America Lilacs Lincoln lines literary literature living loss memory Monimba mourners mourning nature pastoral Philip Freneau Phillis Wheatley poem poem's poet poet's poetic political Prose Puritan Ralph Waldo Emerson readers reading relation satire scene seems sense sentimental Sigourney slave slavery social song sorrow soul spiritual Stockton sublime suggests suicide Thanatopsis thee Thomas thou Threnody tion tradition Traubel University Press verse voice Waldo Emerson Walt Whitman Washington Wheatley's Whitefield William William Cullen Bryant writes wrote York