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Phoeb. From Jove's imperial court,
Venus. What stars above shall we displace?
Nept. Descended from the sea-gods' race,
Phoeb. No, not by that tempestuous sign;
And peaceful shade,
Shall shine in heaven with beams displayed,
Venus. Albanius, lord of land and main,
Acac. O thou! who mountest the aethereal throne,
Here Albion mounts the machine, which moves upward slowly.
A full chorus of all that Acacia sung.
I en. Behold what triumphs are prepared to grace Thy glorious race,
Where love and honour claim an equal place;
The Scene changes to a Walk of very high trees; at the end of the Walk is a view of that part of Windsor, which faces Eton; in the midst of it is a row of small trees, which lead to the Castle-Hill. In the Jirst scene, part of the Town and part of the Hill. In the next, the Terrace Walk, the King's lodgings, and the upper part of St George's chapel, then the keep; and, lastly, that part of the Castle beyond the keep.
In the air is a vision of the Honours of the Garter; the Knights in procession, and the King under a canopy; beyond this, the upper end ofSt George'» hall.
Fame rises out of the middle of the Stage, standing on a Globe, on which is the Arms of England: the Globe rests on a Pedestal; on the front of the Pedestal is drawn a Man with a long, lean, pale face, with fiends wings, and snakes twisted round his body; he is encompassed by several fanatical rebellious heads, who suck poison from him, which runs out of a tap in his side.*
• " I must not," says Langbaine, "take the pains to acquaint my reader, that by the man on the pedestal, &c. is meant the late Lord Shaftesbury. I shall not pretend to pass my censure, whether he deserved this usage from our author or no, but leave it to the judgments of statesmen and politicians." Shaftesbury having been overturned in a carriage, received some internal injury which required a constant discharge by an issue in his side. Hence he was ridiculed under the name of Tapski. In a mock account of an apparition, stated to have appeared to Lady Gray, it says, "Bid Lord Shaftesbury have a care to his spigot—if he is tapt, all
Fame. Renown, assume thy trumpet! From pole to pole resounding Great Albion's name; Great Albion's name shall be The theme of Fame, shall be great Albion's name, Great Albion's name, great Albion's name. Record the garter's glory; A badge for heroes, and for kings to bear; For kings to bear! And swell the immortal story, With songs of Gods, and fit for Gods to hear; And swell the immortal story, With songs of Gods, and fit for Gods to hear; For Gods to hear.
A full Chorus of all the Voices and Instruments; trumpets and hautboys make Ritornello's of all Fame sings; and twenty four Dancers, all the time in a chorus, and dance to the end of the Opera.
the plot will run out." Ralph's History, vol. i. p. 562. from a pamphlet in Lord Somers' collection. There are various allusions to this circumstance in the lampoons of the time. A satire called " The Hypocrite," written by Carryl, concludes thus:
His body thus and soul together Tic.
At length, in prosecution of this coarse and unhandsome jest, a sort of vessel with a turn-cock was constructed for holding wine, which was called a Shaftesbury, and used in the taverns of the royal party.
After our jEsop's fable shown to-day,
I come to give the moral of the play.
Feigned Zeal, you saw, set out the speedier pace 5But the last heat, Plain Dealing won the race:Plain Dealing for a jewel has been known;
But ne'er till now the jewel of a crown. When heaven made man, to show the work divine, Truth was his image, stamped upon the coin:And when a king is to a God refined, On all he says and does he stamps his mind:This proves a soul without alloy, and pure;Kings, like their gold, should every touch endure. To dare in fields is valour; but how few Dare be so throughly valiant,—to be true!
The name of great, let other kings affect:
He's great indeed, the prince that is direct. His subjects know him now, and trust him more Than all their kings, and all their laws before. What safety could their public acts afford fThose he can break; but cannot break his word. So great a trust to him alone was due;Well have they trusted whom so well they knew. The saint, who walked on waves, securely trod, While he believed the beck'ning of his God;But when his faith no longer bore him out, Began to sink, as he began to doubt. Let us our native character maintain;'Tis of our growth, to be sincerely plain. To excel in truth we loyally may strive, Set privilege against prerogative:He plights his faith, and we believe him just;His honour is to promise, ours to trust.
Thus Britain's basis on a word is laid,
t From this Epilogue we learn, what is confirmed by many proofs elsewhere, that the attribute for which James desired to be distinguished and praised, was that of openness of purpose, and stern undeviating inflexibility of conduct. He scorned to disguise his designs, either upon the religion or the constitution of his country. He forgot that it was only the temporising concessions of his brother which secured his way to the throne, when his exclusion, or a civil war, seemed the only alternatives. His brother was the reed, which bent before the whirlwind, and recovered its erect posture when it had passed away; and James, the inflexible oak, which the first tempest rooted up for ever. t