Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 1991年11月29日 - 241 頁 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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第 58 頁
... Lord Mayor of London to Lord Burghley in 1594 , we may better appreciate the limitations of Heywood's position . While the Lord Mayor's letter con- forms in many ways to the characteristic style and content of these annual pleas for the ...
... Lord Mayor of London to Lord Burghley in 1594 , we may better appreciate the limitations of Heywood's position . While the Lord Mayor's letter con- forms in many ways to the characteristic style and content of these annual pleas for the ...
第 59 頁
... Lord Mayor strongly suggests that moralized representations of the- atrical experience — like those offered by Heywood and Nashe - do not register the actual effects on audiences of plays in practice . While audiences in theory should ...
... Lord Mayor strongly suggests that moralized representations of the- atrical experience — like those offered by Heywood and Nashe - do not register the actual effects on audiences of plays in practice . While audiences in theory should ...
第 215 頁
... lord in The Taming of the Shrew , Shakespeare has his “ real ” lord and that lord's servants liberally borrow from Gaveston's sylvan fan- tasy : Second Servant . Dost thou love pictures ? We will fetch thee straight Adonis painted by a ...
... lord in The Taming of the Shrew , Shakespeare has his “ real ” lord and that lord's servants liberally borrow from Gaveston's sylvan fan- tasy : Second Servant . Dost thou love pictures ? We will fetch thee straight Adonis painted by a ...
內容
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
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常見字詞
Alcibiades Apemantus aspiring attempt audi audience engagement audience response audience's Banquo's ghost Barabas Barabas's behavior believe Berger capacity character claim contemporary contends context critical cultural defenses demystify dience discourse Doctor Faustus dramatic Edward Edward II effects Elizabethan playgoers embodiment ence fantasy fantasy fulfillment feel Ferneze Gaveston Gosson Greenblatt Henry Henry's identify ideology imaginary imaginative interpretive community Jack Straw Jew of Malta John of Leyden king King Lear Lear Leontes's Lord Macbeth Machiavel Machiavellian manner Marlowe and Shakespeare Marlowe's masterless material mind moral murder Nashe normative observes onstage opposed orthodox perspective play's playgoing playhouse playtexts playwright pleasure political position potential privileged provides provocative psychic disposition psychological radical reading regarding resistance Richard Richard III role scene seems set speech Shakespeare social speak specific spectator stage status structure subversive suggests Tamburlaine phenomenon Tamburlaine plays theater theatrical experience thou Timon of Athens tion transgressive Troilus Ulysses vicariously