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as the "Second Poem," which he entitles, "To his Friend
had robbed him of his mistress-forgiving him." Now, literally,
the Sonnets we have already given, the 33d, 34th, 35th, 40th, 41st,
and 42d, are all that within these limits can be held to have refer-
ence to such a subject. The 27th and 28th Sonnets have not the
slightest allusion to this supposed injury; and we shall presently
endeavor to show that they have been wrested from their proper
place. The 29th, 30th, 31st, and 32d are Sonnets of the most
confiding friendship, full of the simplest and therefore the deepest
pathos, and which we have no hesitation in classing amongst
those which are strictly personal-those to which the lines of
Wordsworth apply :-

"Scorn not the Sonnet: Critic, you have frowned
Mindless of its just honors. With this key
Shakspeare unlocked his heart."

The following exquisite lines are familiar to most poetical stu-
dents:

When in disgrace with fortune and men's eyes,

I all alone beweep my outcast state,

And trouble deaf Heaven with my bootless cries,
And look upon myself, and curse my fate,

Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art, and that man's scope,
With what I most enjoy contended least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state
(Like to the lark at break of day arising
From sullen earth) sings hymns at heaven's gate;
For thy sweet love remembered, such wealth brings
That then I scorn to change my state with kings.

When to the sessions of sweet silent thought.

I summon up remembrance of things past,
I sigh the lack of many a thing I sought,

And with old woes new wail my dear times' waste:
Then can I drown an eye, unused to flow,

For precious friends hid in death's dateless night.

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29.

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And weep afresh love's long-since cancelled woe,
And moan the expense of many a vanished sight.
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoanéd moan,
Which I new pay as if not paid before.

But if the while I think on thee, dear friend,
All losses are restored, and sorrows end.

30.

Thy bosom is endearéd with all hearts,
Which I by lacking have supposéd dead;
And there reigns love and all love's loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stolen from mine eye,
As interest of the dead which now appear
But things removed, that hidden in thee lie?
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give;

That due of many now is thine alone:

Their images I loved I view in thee,
And thou (all they) hast all the all of me.

If thou survive my well-contented day,

31.

When that churl Death my bones with dust shall

cover,

And shalt by fortune once more resurvey
These poor rude lines of thy deceased lover,
Compare them with the bettering of the time;
And though they be outstripped by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.

O then vouchsafe me but this loving thought!
Had my friend's muse grown with this growing age,
A dearer birth than this his love had brought,

To march in ranks of better equipage :

But since he died, and poets better prove,

Theirs for their style I'll read, his for his love.

32.

Immediately succeeding these are the three stanzas we have already quoted, in which the poet is held to accuse his friend of having robbed him of his mistress. In these stanzas the friend is spoken of in connection with a "sensual fault," a

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66 trespass," &c. But

in those which follow, the "bewailed guilt " belongs to the poet — the "worth and truth to his friend. Surely these are not continuous. In the 36th, 37th, 38th, and 39th Sonnets, we have the expression of that deep humility which may be traced through many of these remarkable compositions, and of which we find the first sound in the 29th Sonnet:

Let me confess that we two must be twain,
Although our undivided loves are one;
So shall those blots that do with me remain,
Without thy help, by me be borne alone.
In our two loves there is but one respect,
Though in our lives a separable spite,
Which, though it alter not love's sole effect,
Yet doth it steal sweet hours from love's delight.

I may not evermore acknowledge thee,

Lest my bewailéd guilt should do thee shame;

Nor thou with public kindness honor me,
Unless thou take that honor from thy name:

But do not so; I love thee in such sort,
As, thou being mine, mine is thy good report.

As a decrepit father takes delight

To see his active child do deeds of youth,
So I, made lame by fortune's dearest spite,
Take all my comfort of thy worth and truth;
For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more,
Entitled in thy parts do crownéd sit,
I make my love engrafted to this store:

36.

So then I am not lame, poor, nor despised,

Whilst that this shadow doth such substance give, That I in thy abundance am sufficed,

And by a part of all thy glory live.

Look what is best, that best I wish in thee;
This wish I have; then ten times happy me!

37.

How can my muse want subject to invent,
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent

For every vulgar paper to rehearse?

O, give thyself the thanks, if aught in me
Worthy perusal stand against thy sight;
For who 's so dumb that cannot write to thee,
When thou thyself dost give invention light?
Be thou the tenth muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.

If my slight muse do please these curious days,
The pain be mine, but thine shall be the praise.

38.

O, how thy worth with manners may I sing,
When thou art all the better part of me?
What can mine own praise to mine own self bring?
And what is 't but mine own, when I praise thee?

Even for this let us divided live,

And our dear love lose name of single one,
That by this separation I may give
That due to thee which thou deserv'st alone.
O absence, what a torment wouldst thou prove,
Were it not thy sour leisure gave sweet leave
To entertain the time with thoughts of love,
(Which time and thoughts so sweetly doth deceive,)
And that thou teachest how to make one twain,
By praising him here, who doth hence remain !

39.

The 40th, 41st, and 42d Sonnets return to the complaint of his friend's faithlessness. Surely, then, the Sonnets we have just quoted must be interpolated. The 43d is entirely isolated from what precedes and what follows. But in the 39th we have allusions to "separation” and “absence;" and in the 44th we return to the subject of "injurious distance." With some alterations of arrangement we can group nine Sonnets together, which form a connected epistle to an absent friend, and which convey those sentiments of real affection which can only be adequately transmitted in language and imagery, possessing, as these portions do, the charm of nature and simplicity. The tone of truth and reality is remarkably contrasted with those artificial passages which have imparted their character to the whole series in the estimation of many :

How heavy do I journey on the way,

When what I seek my weary travel's end
Doth teach that ease and that repose to say,

"Thus far the miles are measured from thy friend!"
The beast that bears me, tiréd with my woe,

Plods dully on, to bear that weight in me,

As if by some instinct the wretch did know

His rider loved not speed, being made from thee:

The bloody spur cannot provoke him on

That sometimes anger thrusts into his hide;
Which heavily he answers with a groan,
More sharp to me than spurring to his side;
For that same groan doth put this in my mind,
My grief lies onward, and my joy behind.

Thus can my love excuse the slow offence

50.

Of my dull bearer, when from thee I speed:
From where thou art why should I haste me thence?
Till I return, of posting is no need.

O, what excuse will my poor beast then find,
When swift extremity can seem but slow?

Then should I spur, though mounted on the wind;

In wingéd speed no motion shall I know:

Then can no horse with my desire keep pace :
Therefore desire, of perfect love being made,

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