CymbelineClarendon Press, 1998 - 287 頁 This is the first full-scale edition of Cymbeline for 37 years. During that time, there has been considerable interest in Shakespeare's late work in the theatre, and several notable productions have demonstrated the powerful impact of Cymbeline. Based firmly on Roger Warren's extensive experience of the play in rehearsal and performance, this edition shows how Shakespeare draws upon a wide range of sources to create a self-sufficient dramatic universe, combining virtuoso theatrical and poetic means to present a story of a marriage imperilled by mistrust and painfully rebuilt through the physical and spiritual journeys undertaken by the heroine and hero, set in a context of international conflict. A full and detailed commentary pays close attention to the play's complex, evocative language. |
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ARVIRAGUS audience Belarius Boccaccio body Britain Britons brother Caesar Caius Lucius CAPELL cave Cloten Comedies Compositor conj court Crane Cymbeline Cymbeline's dead death Dowden E. K. Chambers eagle edition Ellen Terry emendation emphasize Enter example Exeunt Exit eyes father fear Fidele Folio text GENTLEMAN Geraldine James Giacomo give gods GUIDERIUS hath headless heart heavens Holinshed honour humus husband i'th implies Innogen Jacobean JAILER Jupiter King lady Leonatus lines in F Maxwell means Milford Haven mistress modern noble o'th on't Oxford performance perhaps PHILARIO phrase Pisanio play play's Posthumus pray princes probably Queen Ralph Crane ring Roman Rome scene SECOND LORD seems sense sexual Shakespeare SICILIUS sleep soliloquy speak speech spelling stage direction Stratford-upon-Avon suggests Tempest Tereus Textual Companion Theatre theatrical thee THEOBALD thing thou Tilley tion Twelfth Night Vanessa Redgrave wager story Winter's Tale ΙΟ