Terms of Response: Language and the Audience in Seventeenth- and Eighteenth-Century Theory

according action actual Addison aesthetic affect allows appear argues argument Aristotle artifice artistic association attention audience beauty becomes believes Boileau Burke calls century chapter characters close communication concept concern connection critics delight depends detail Diderot discourse discussion distance distinction effort emotion especially essay example experience expression feeling figures function give human Hume Hutcheson ideas illusion images imagination imitation important interest involved judgment kind knowledge language later less literary matter means metaphor mind mode moral move nature notes notion object original ornament painting passions perceive perception perhaps picture pity pleasure poet poetic poetry position present Press produce qualities question reality reason reference relation remarks representation represented requires response Rhetoric says seems seen sense signs simply spectator stage style suggests taste Tesauro theory things thinking thought tragedy tragic truth turn understanding University verbal visual whole