Treatise on MelodyPendragon Press |
內容
Introduction | 9 |
On periods of a single member | 22 |
Periods of two members | 30 |
On organ points when they occur on the penulti | 31 |
On the connection of periods | 37 |
On melodies of three principal periods | 44 |
New observations on rhythm | 58 |
On the manner of performing melody and on | 65 |
The creation of phrases and periods | 78 |
The development of a motif as | 80 |
Varying or embellishing a | 86 |
Outline of a syllabus for an examination in compo | 93 |
On the art of accompanying melody with harmony | 99 |
Observations on the pedal in relation to melodic | 105 |
Tenth Principle The proper blending of harmonic | 112 |
Accompanying the same | 113 |
常見字詞
4-measure rhythm accompaniment added Andante appear aria become beginning called changes character charm chords companion complete composer composition connection consequently considered create divided divisible dominant effect eight embellishments equal example feeling figure final five four four-measure fourth genius give given half cadence happen harmony Haydn ideas important interest interrupted Italy kind latter less major means measures melody minor modulations motif movement Mozart nature never notes observed occur original Perf perfect cadence performed period phrase piece placed practice principles produce quarter reason regular Reicha relative remain remarks repeated repetition requires respect resting result ritornello scale second period sense separately sharp short simple singer single succession supposition symmetry term theme theory third tonic treatise true unity values variation varied variety various voice