Makers of Literary Criticism, 第 1 卷Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 頁 |
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第 1 到 3 筆結果,共 82 筆
第 161 頁
... sometimes you may call it choice , sometimes plenty ; sometimes copiousness , or variety : but ever so , that the word which comes in lieu , have not such difference of meaning , as that it may put the sense of the first in hazard to be ...
... sometimes you may call it choice , sometimes plenty ; sometimes copiousness , or variety : but ever so , that the word which comes in lieu , have not such difference of meaning , as that it may put the sense of the first in hazard to be ...
第 265 頁
... sometimes produce seriousness and sorrow , and sometimes levity and laughter . That this is a practice contrary to the rules of criticism will be readily allowed , but there is always an appeal open from criticism to nature . The end of ...
... sometimes produce seriousness and sorrow , and sometimes levity and laughter . That this is a practice contrary to the rules of criticism will be readily allowed , but there is always an appeal open from criticism to nature . The end of ...
第 411 頁
... sometimes open to objection . It is the common practice of our poets to end the second line with a weak or grave syllable : Together o'er the Alps methings we fly , Fir'd with ideas of fair Italy . POPE , Epistle to Jervas . Dryden ...
... sometimes open to objection . It is the common practice of our poets to end the second line with a weak or grave syllable : Together o'er the Alps methings we fly , Fir'd with ideas of fair Italy . POPE , Epistle to Jervas . Dryden ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written