Makers of Literary Criticism, 第 1 卷Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 頁 |
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第 1 到 3 筆結果,共 41 筆
第 27 頁
... comedy , as his Iliad and Odyssey to tragedy . But when tragedy and comedy had once made their appearance , succeeding poets , according to the turn of their genius , attached themselves to the one or the other of these new species ...
... comedy , as his Iliad and Odyssey to tragedy . But when tragedy and comedy had once made their appearance , succeeding poets , according to the turn of their genius , attached themselves to the one or the other of these new species ...
第 28 頁
... comedy , from the little attention that was paid to it in its origin , remain in obscurity . For it was not till late that comedy was authorized by the magistrate and carried on at the public expense ; it was at first a private and ...
... comedy , from the little attention that was paid to it in its origin , remain in obscurity . For it was not till late that comedy was authorized by the magistrate and carried on at the public expense ; it was at first a private and ...
第 211 頁
... comedy ; and in the two best of Corneille's plays , the Cid and Cinna , they are interrupted once . The action of the play is entirely one ; the end or aim of which is the settling Morose's estate on Dauphine . The intrigue of it is the ...
... comedy ; and in the two best of Corneille's plays , the Cid and Cinna , they are interrupted once . The action of the play is entirely one ; the end or aim of which is the settling Morose's estate on Dauphine . The intrigue of it is the ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written