Shakespeare and the History of SoliloquiesFairleigh Dickinson University Press, 2003 - 470 頁 Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves. |
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第 1 到 3 筆結果,共 43 筆
第 86 頁
... performed by Shakespeare's company and later scenes of which were prob- ably revised by Shakespeare himself , Thaliard enters " solus . " It is clear that the words that are then attributed to the character represent his speech because ...
... performed by Shakespeare's company and later scenes of which were prob- ably revised by Shakespeare himself , Thaliard enters " solus . " It is clear that the words that are then attributed to the character represent his speech because ...
第 96 頁
... performed around 1614 by the King's Men at the Blackfriars and at the Globe and later performed at the Cockpit and at court . In 5.4 Bo- sola enters during a soliloquy spoken by the Cardinal . Although Bosola's view of the Cardinal is ...
... performed around 1614 by the King's Men at the Blackfriars and at the Globe and later performed at the Cockpit and at court . In 5.4 Bo- sola enters during a soliloquy spoken by the Cardinal . Although Bosola's view of the Cardinal is ...
第 371 頁
... perform- ance . Davenant's adaptation of Hamlet was first performed on 24 August 1661 , with Thomas Betterton in the role of Hamlet . In 1708 John Downes , who had been bookkeeper and prompter for the theatrical company created by ...
... perform- ance . Davenant's adaptation of Hamlet was first performed on 24 August 1661 , with Thomas Betterton in the role of Hamlet . In 1708 John Downes , who had been bookkeeper and prompter for the theatrical company created by ...
內容
Acknowledgments | 9 |
Representation of Speech | 35 |
From Antiquity to the Middle of the Sixteenth | 62 |
著作權所有 | |
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常見字詞
acters action actor addressed speech addressed to playgoers addresses playgoers apostrophe audience address Betterton boy actor chapter char character's characters onstage Claudius clearly conventions governing soliloquies Davenant Davenant's direct access dominant convention dramatic context dramatists earlier eavesdropping eavesdropping episodes enemy evidence explicit explicitly expresses father feigned soliloquy genuine soliloquy gives voice guard his speech guarded in asides Hamlet heard hearing human Iago imagine incongruities innermost thoughts interior monologue kinds of soliloquies King King Lear late seventeenth century later liloquies Love's Labor's Lost Menaechmus mind offstage Ophelia oquies Othello outward behavior overheard soliloquies passage performed playgoers Polonius post-Renaissance presence pretends quies Renaissance Renaissance drama Renaissance playgoers representation Richard Romeo says scene self-addressed speech Shake Shakespeare's plays Shakespeare's soliloquies Shakespeare's theater situation solilo soliloquies and asides soliloquies in Shakespeare's soliloquies represented speech soliloquy guarded speaker speare's theatrical Thomas Betterton thou tion Troilus and Cressida unspoken thoughts words spoken