Shakespearean Criticism, 第 52 卷Michelle Lee, Kathy D. Darrow Gale Research International, Limited, 2000 - 420 頁 Annotation For a convenient introduction to Shakespearean topics, plays and poems, start with this authoritative resource. Beginning with Volume 27, this illustrated series focuses on criticism published after 1960 and provides the reader with a thematic approach to Shakespeare's works. An introduction, criticism, annotated bibliography and cumulative index to topics help users organize their research, making diligent inquiry quick and easy. The series also offers an annual compilation of essays that represent the year's most noteworthy contributions to Shakespearean scholarship. |
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第 1 到 3 筆結果,共 95 筆
第 1 頁
... moral issue that affects its theme and out- come . All of his dramatic works , excepting perhaps some of the comedies , depict a significant moral choice or inversion / disruption of the moral order that results in trag- edy or must be ...
... moral issue that affects its theme and out- come . All of his dramatic works , excepting perhaps some of the comedies , depict a significant moral choice or inversion / disruption of the moral order that results in trag- edy or must be ...
第 4 頁
... moral values that we bring to the play , while allowing these values to resist such transfigu- ration . A recent comment on deconstruction by Douglas Atkins is particularly appropriate here : ' Mutually depen- dent on language , critic ...
... moral values that we bring to the play , while allowing these values to resist such transfigu- ration . A recent comment on deconstruction by Douglas Atkins is particularly appropriate here : ' Mutually depen- dent on language , critic ...
第 7 頁
... moral plays and , even more revealing , finds a way to in- corporate some of those features into his own satiric strat- egy ( as he also incorporated the Vice's exit to Hell on the Devil's back as noted in chapter two ) . Two isolated ...
... moral plays and , even more revealing , finds a way to in- corporate some of those features into his own satiric strat- egy ( as he also incorporated the Vice's exit to Hell on the Devil's back as noted in chapter two ) . Two isolated ...
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action Alcibiades Anne Anne's Antony Apemantus appears Arden argues audience authority auxesis bastard becomes body Bolingbroke Buckingham Cambridge character chard Claudius comedy conscience Coriolanus critics crown curse death deformity divine dramatic Duke edition Edward Elizabeth Elizabethan England English essay date evil father figure friends Gaunt gift economy give Hamlet hath Henry Henry VI Henry's Holinshed human Iago illegitimacy John kind King Lear King Richard lines London Lord Macbeth Machiavelli marriage meaning Measure for Measure ment metaphor misanthrope moral plays mother murder nature Othello paradox play's Poet political Prince Prospero Queen Renaissance rhetorical Rich Richmond role royal says scene seems sense sexual Shakespeare shame social soliloquy soul speak speech stage suggest symbol synecdoche Tempest theatrical thee theme things thou throne Timon of Athens tion tragedy tragic Tudor Univ University Press Vice virtue words York