The Merchant of Venice: New Critical Essays

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John W. Mahon, Ellen Macleod Mahon
Psychology Press, 2002 - 456 頁

This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play.

The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.

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THE FORTUNES OF THE MERCHANT OF VENICE FROM 1596 TO 2001
xiii
SHAKESPEARES MERCHANT AND MARLOWES OTHER PLAY
93
THE QUESTION OF PHILOSEMITISM IN ELIZABETHAN DRAMA
105
JESSICA
143
TEXTUAL DEVIANCY IN THE MERCHANT OF VENICE
163
PORTIA AND THE OVIDIAN GROTESQUE
177
DOES SOURCE CRITICISM ILLUMINATE THE PROBLEMS OF INTERPRETING THE MERCHANT AS A SOURED COMEDY?
185
A STUDY IN SALVATION
197
PORTIAS WIFELY EMPOWERMENT IN THE MERCHANT OF VENICE
281
WHOSE MISLIKE? PORTIAS? SHAKESPEARES? OR THAT OF HIS AGE?
303
THE MERCHANT OF VENICE AND THE POLITICS OF COMMERCE
323
NAMES IN THE MERCHANT OF VENICE
351
PERFORMING SHYLOCK AND OTHER CHARACTERS IN THE MERCHANT OF VENICE
367
MAKING THE MERCHANT OF VENICE PALATABLE FOR US AUDIENCES
373
SHYLOCK IN PERFORMANCE
385
PLAYING THE ROLE IN THE TWENTIETHCENTURY ENGLISH THEATER
429

A READING OF THE MERCHANT OF VENICE
211
EMBLEM ANALOGUE AND DEIFICATION IN THE MERCHANT OF VENICE
223
Notes on the Contributors
453

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