The Merchant of Venice: New Critical EssaysFour hundred years after its first performance, The Merchant of Venice continues to draw audiences, spark debate, and elicit controversy. This collection of new essays examines the performance and study of Shakespeare's play from a broad range of contemporary critical approaches. The contributors, drawn from four continents, build upon recent scholarship in new historicism, feminism, performance theory, and postcolonial studies to present new perspectives on the play, and offer fresh insights into its critical legacy on stage and as a literary text. A substantial introductory essay provides important historical context and surveys major critical approaches to the play over the centuries. This volume is an essential companion to The Merchant of Venice and a significant contribution to Shakespearean criticism. |
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內容
THE FORTUNES OF THE MERCHANT OF VENICE FROM 1596 TO 2001 | xiii |
SHAKESPEARES MERCHANT AND MARLOWES OTHER PLAY | 93 |
THE QUESTION OF PHILOSEMITISM IN ELIZABETHAN DRAMA | 105 |
JESSICA | 143 |
TEXTUAL DEVIANCY IN THE MERCHANT OF VENICE | 163 |
PORTIA AND THE OVIDIAN GROTESQUE | 177 |
DOES SOURCE CRITICISM ILLUMINATE THE PROBLEMS OF INTERPRETING THE MERCHANT AS A SOURED COMEDY? | 185 |
A STUDY IN SALVATION | 197 |
PORTIAS WIFELY EMPOWERMENT IN THE MERCHANT OF VENICE | 281 |
WHOSE MISLIKE? PORTIAS? SHAKESPEARES? OR THAT OF HIS AGE? | 303 |
THE MERCHANT OF VENICE AND THE POLITICS OF COMMERCE | 323 |
NAMES IN THE MERCHANT OF VENICE | 351 |
PERFORMING SHYLOCK AND OTHER CHARACTERS IN THE MERCHANT OF VENICE | 367 |
MAKING THE MERCHANT OF VENICE PALATABLE FOR US AUDIENCES | 373 |
SHYLOCK IN PERFORMANCE | 385 |
429 | |
A READING OF THE MERCHANT OF VENICE | 211 |
EMBLEM ANALOGUE AND DEIFICATION IN THE MERCHANT OF VENICE | 223 |
Notes on the Contributors | 453 |
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