Making Theatre: From Text to PerformanceBloomsbury Academic, 2000 - 236页 The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: "Words" and the interpretation of text; "Vision" including scenery, costume and lighting; and "Music" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by Rodgers and Hammerstein, Cole Porter and Stephen Sondheim; and operas by Verdi, Wagner and Berg.This account of what makes theater important and how it works will be invaluable to teachers and students of drama and performance, as well as all those interested in theater as art. |
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第39页
... person her lovers want her to be . As she told Franco , ' don't touch me ' , her eyes and her posture expressed the inner fury of a person who refuses to be saved by someone else's idea of them . In her clenched fierceness which seemed ...
... person her lovers want her to be . As she told Franco , ' don't touch me ' , her eyes and her posture expressed the inner fury of a person who refuses to be saved by someone else's idea of them . In her clenched fierceness which seemed ...
第61页
... person ; and which , when another identity wishes to come out from ' behind the clouds ' will need to find another vocabulary to project itself . The case here is extreme ; Hal foresees the need at the out- set ; and then apparently ...
... person ; and which , when another identity wishes to come out from ' behind the clouds ' will need to find another vocabulary to project itself . The case here is extreme ; Hal foresees the need at the out- set ; and then apparently ...
第64页
... person or persons under- neath the mask ) , the salon has been made to look exactly like the throne - room of Henry IV at Goslar . The set is dominated by the imperial chair and baldaquin . All that is said and done in this room - the ...
... person or persons under- neath the mask ) , the salon has been made to look exactly like the throne - room of Henry IV at Goslar . The set is dominated by the imperial chair and baldaquin . All that is said and done in this room - the ...
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常见术语和短语
actors actress audience audience's aware Beckett become Brecht characters Chekhov's cherry orchard colour costume created dance dark David death dialogue director dramatic action dream Edith Evans effect emotions English exists express eyes feeling film Gielgud Guthrie Hamlet happens human identity illusion imagination inner John kind languages of theatre Laurence Olivier Lear listen lives London look magic mask means memory Michael move Mozart's murder National Theatre nature never night once opera orchestra Othello Paul Scofield Peggy Ashcroft performance Peter Brook Peter Hall physical play play's present production Ralph Richardson reflects rehearsal relationship remains reveal rhythms Richard Ring role Royal Royal National Theatre Royal Shakespeare Company scene sense Shakespeare silence Simon Callow song space speak speech spoken stage design style suggest surface T.S. Eliot theatrical things tion Vanya vision visual Wagner's Waiting for Godot words Wozzeck writing