Making Theatre: From Text to PerformanceBloomsbury Academic, 2000 - 236页 The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: "Words" and the interpretation of text; "Vision" including scenery, costume and lighting; and "Music" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by Rodgers and Hammerstein, Cole Porter and Stephen Sondheim; and operas by Verdi, Wagner and Berg.This account of what makes theater important and how it works will be invaluable to teachers and students of drama and performance, as well as all those interested in theater as art. |
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第65页
... never to be opened to you ; for he who does enter there will never be you . ( translated by Edward Storer ) Henry in the end will choose to confirm himself in his role of madman by killing the man who has always been his rival in love ...
... never to be opened to you ; for he who does enter there will never be you . ( translated by Edward Storer ) Henry in the end will choose to confirm himself in his role of madman by killing the man who has always been his rival in love ...
第76页
... never been drawn to directing Shaw before , because of the lack of feeling . ( He has now ( 1998 ) directed Major Barbara . ) Peggy Ashcroft , who had idolized Shaw when young only once appeared in a play by him : Caesar and Cleopatra ...
... never been drawn to directing Shaw before , because of the lack of feeling . ( He has now ( 1998 ) directed Major Barbara . ) Peggy Ashcroft , who had idolized Shaw when young only once appeared in a play by him : Caesar and Cleopatra ...
第127页
... never a joke . Farce enacts a simple law of Nature that , as John Mortimer has said , ' at a certain speed things disintegrate ' . Sustaining the right momentum requires also an appropriate visual sense . In the 1989 production at the ...
... never a joke . Farce enacts a simple law of Nature that , as John Mortimer has said , ' at a certain speed things disintegrate ' . Sustaining the right momentum requires also an appropriate visual sense . In the 1989 production at the ...
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常见术语和短语
actors actress audience audience's aware Beckett become Brecht characters Chekhov's cherry orchard colour costume created dance dark David death dialogue director dramatic action dream Edith Evans effect emotions English exists express eyes feeling film Gielgud Guthrie Hamlet happens human identity illusion imagination inner John kind languages of theatre Laurence Olivier Lear listen lives London look magic mask means memory Michael move Mozart's murder National Theatre nature never night once opera orchestra Othello Paul Scofield Peggy Ashcroft performance Peter Brook Peter Hall physical play play's present production Ralph Richardson reflects rehearsal relationship remains reveal rhythms Richard Ring role Royal Royal National Theatre Royal Shakespeare Company scene sense Shakespeare silence Simon Callow song space speak speech spoken stage design style suggest surface T.S. Eliot theatrical things tion Vanya vision visual Wagner's Waiting for Godot words Wozzeck writing