Making Theatre: From Text to PerformanceBloomsbury Academic, 2000 - 236页 The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: "Words" and the interpretation of text; "Vision" including scenery, costume and lighting; and "Music" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by Rodgers and Hammerstein, Cole Porter and Stephen Sondheim; and operas by Verdi, Wagner and Berg.This account of what makes theater important and how it works will be invaluable to teachers and students of drama and performance, as well as all those interested in theater as art. |
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共有 37 个结果,这是第 1-3 个
第48页
... Leave Taking ( 1994 ) , about a Jamaican family living in London , draws on the ' patwah ' of a culture whose rhythms and colloquialisms have been influenced by reggae music . Words in a play reflect these heart - beats in a way that ...
... Leave Taking ( 1994 ) , about a Jamaican family living in London , draws on the ' patwah ' of a culture whose rhythms and colloquialisms have been influenced by reggae music . Words in a play reflect these heart - beats in a way that ...
第94页
... leaving them to make up their minds about what is being said . Here is how he writes the love - scene between Grusha and ... leave the audience to imagine the feelings between them at this moment when Grusha is about to tell him she has ...
... leaving them to make up their minds about what is being said . Here is how he writes the love - scene between Grusha and ... leave the audience to imagine the feelings between them at this moment when Grusha is about to tell him she has ...
第122页
... leave no doubt that the chaos is in his mind . In one sense , this is unactable and unstageable . The play is on the edge of an abyss , in which all germens are about to be spilled at once , leaving no action to be performed ...
... leave no doubt that the chaos is in his mind . In one sense , this is unactable and unstageable . The play is on the edge of an abyss , in which all germens are about to be spilled at once , leaving no action to be performed ...
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常见术语和短语
actors actress audience audience's aware Beckett become Brecht characters Chekhov's cherry orchard colour costume created dance dark David death dialogue director dramatic action dream Edith Evans effect emotions English exists express eyes feeling film Gielgud Guthrie Hamlet happens human identity illusion imagination inner John kind languages of theatre Laurence Olivier Lear listen lives London look magic mask means memory Michael move Mozart's murder National Theatre nature never night once opera orchestra Othello Paul Scofield Peggy Ashcroft performance Peter Brook Peter Hall physical play play's present production Ralph Richardson reflects rehearsal relationship remains reveal rhythms Richard Ring role Royal Royal National Theatre Royal Shakespeare Company scene sense Shakespeare silence Simon Callow song space speak speech spoken stage design style suggest surface T.S. Eliot theatrical things tion Vanya vision visual Wagner's Waiting for Godot words Wozzeck writing