Making Theatre: From Text to PerformanceBloomsbury Academic, 2000 - 236页 The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: "Words" and the interpretation of text; "Vision" including scenery, costume and lighting; and "Music" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by Rodgers and Hammerstein, Cole Porter and Stephen Sondheim; and operas by Verdi, Wagner and Berg.This account of what makes theater important and how it works will be invaluable to teachers and students of drama and performance, as well as all those interested in theater as art. |
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共有 48 个结果,这是第 1-3 个
第24页
... human perception and behaviour , with the relations between mind and body , with the bizarre and inexplicable in human nature , at the crossing - points of consciousness . The last decade of the mil- lennium seemed to combine a growing ...
... human perception and behaviour , with the relations between mind and body , with the bizarre and inexplicable in human nature , at the crossing - points of consciousness . The last decade of the mil- lennium seemed to combine a growing ...
第78页
... human beings feel and live . His desire for the theatre to be a ' temple of the ascent of man ' · - a hope clearly not realized yet ! - was based on a wholly unrealistic view of human nature , not shared by the dramatist he most admired ...
... human beings feel and live . His desire for the theatre to be a ' temple of the ascent of man ' · - a hope clearly not realized yet ! - was based on a wholly unrealistic view of human nature , not shared by the dramatist he most admired ...
第115页
... human and the fairy world . ' By dwelling on the image " fairy " , it gradually becomes clear that the fairy world is a manner of speaking in symbolic language of all that is lighter and swifter than the human mind ... A fairy is the ...
... human and the fairy world . ' By dwelling on the image " fairy " , it gradually becomes clear that the fairy world is a manner of speaking in symbolic language of all that is lighter and swifter than the human mind ... A fairy is the ...
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常见术语和短语
actors actress audience audience's aware Beckett become Brecht characters Chekhov's cherry orchard colour costume created dance dark David death dialogue director dramatic action dream Edith Evans effect emotions English exists express eyes feeling film Gielgud Guthrie Hamlet happens human identity illusion imagination inner John kind languages of theatre Laurence Olivier Lear listen lives London look magic mask means memory Michael move Mozart's murder National Theatre nature never night once opera orchestra Othello Paul Scofield Peggy Ashcroft performance Peter Brook Peter Hall physical play play's present production Ralph Richardson reflects rehearsal relationship remains reveal rhythms Richard Ring role Royal Royal National Theatre Royal Shakespeare Company scene sense Shakespeare silence Simon Callow song space speak speech spoken stage design style suggest surface T.S. Eliot theatrical things tion Vanya vision visual Wagner's Waiting for Godot words Wozzeck writing