Making Theatre: From Text to PerformanceBloomsbury Academic, 2000 - 236页 The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: "Words" and the interpretation of text; "Vision" including scenery, costume and lighting; and "Music" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by Rodgers and Hammerstein, Cole Porter and Stephen Sondheim; and operas by Verdi, Wagner and Berg.This account of what makes theater important and how it works will be invaluable to teachers and students of drama and performance, as well as all those interested in theater as art. |
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共有 36 个结果,这是第 1-3 个
第27页
... depends on a dynamic between the actor , his fellow actors and the audi- ence : a dynamic which changes every time the play is per- formed . Olivier , being congratulated on one occasion after a performance of Othello replied angrily ...
... depends on a dynamic between the actor , his fellow actors and the audi- ence : a dynamic which changes every time the play is per- formed . Olivier , being congratulated on one occasion after a performance of Othello replied angrily ...
第29页
... depends on the change which occurs to Nora in the middle of the fourth act . Here she changes from being Torvald's ' little song - bird ' into a woman who realizes her survival depends on leaving her husband and children . As Shaw ...
... depends on the change which occurs to Nora in the middle of the fourth act . Here she changes from being Torvald's ' little song - bird ' into a woman who realizes her survival depends on leaving her husband and children . As Shaw ...
第136页
... depends on the space to be filled . Intimate theatre , as Strindberg observed at the start of the century , has one particular advantage over plays performed in larger spaces . When Shakespeare wrote , ' the lunatic , the lover and the ...
... depends on the space to be filled . Intimate theatre , as Strindberg observed at the start of the century , has one particular advantage over plays performed in larger spaces . When Shakespeare wrote , ' the lunatic , the lover and the ...
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常见术语和短语
actors actress audience audience's aware Beckett become Brecht characters Chekhov's cherry orchard colour costume created dance dark David death dialogue director dramatic action dream Edith Evans effect emotions English exists express eyes feeling film Gielgud Guthrie Hamlet happens human identity illusion imagination inner John kind languages of theatre Laurence Olivier Lear listen lives London look magic mask means memory Michael move Mozart's murder National Theatre nature never night once opera orchestra Othello Paul Scofield Peggy Ashcroft performance Peter Brook Peter Hall physical play play's present production Ralph Richardson reflects rehearsal relationship remains reveal rhythms Richard Ring role Royal Royal National Theatre Royal Shakespeare Company scene sense Shakespeare silence Simon Callow song space speak speech spoken stage design style suggest surface T.S. Eliot theatrical things tion Vanya vision visual Wagner's Waiting for Godot words Wozzeck writing