Literary Criticism of Oscar WildeUniversity of Nebraska Press, 1968 - 253页 |
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第154页
... colours ; there must be also beauty of colour on the stage as a whole , and as long as the background is painted by one artist , and the foreground figures independently designed by another , there is the danger of a want of harmony in ...
... colours ; there must be also beauty of colour on the stage as a whole , and as long as the background is painted by one artist , and the foreground figures independently designed by another , there is the danger of a want of harmony in ...
第155页
... colour to wear by gaslight , but it is really difficult in England to get a thoroughly good blue . The fine Chinese blue , which we all so much admire , takes two years to dye , and the English public will not wait so long for a colour ...
... colour to wear by gaslight , but it is really difficult in England to get a thoroughly good blue . The fine Chinese blue , which we all so much admire , takes two years to dye , and the English public will not wait so long for a colour ...
第226页
... colour , but the whole sphere of feeling , the perfect cycle of thought . The painter is so far limited that it is only through the mask of the body that he can show us the mystery of the soul ; only through conventional images that he ...
... colour , but the whole sphere of feeling , the perfect cycle of thought . The painter is so far limited that it is only through the mask of the body that he can show us the mystery of the soul ; only through conventional images that he ...
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