Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 頁 "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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第 1 到 5 筆結果,共 32 筆
第 11 頁
... Society is far stronger than the individuals to whom it dic- tates . Titus is the instrument of Rome , spokesman for patriarchal values that he can scarcely question till the end . Romeo is a per- fectly ordinary young man ...
... Society is far stronger than the individuals to whom it dic- tates . Titus is the instrument of Rome , spokesman for patriarchal values that he can scarcely question till the end . Romeo is a per- fectly ordinary young man ...
第 12 頁
... Society does not form or even nurture Timon ; he rails against Athens but accepts no responsibility for his fall . He sees life as a " disease , " but has not formulated the thought that spending is a disease . Timon is technically ...
... Society does not form or even nurture Timon ; he rails against Athens but accepts no responsibility for his fall . He sees life as a " disease , " but has not formulated the thought that spending is a disease . Timon is technically ...
第 17 頁
... society . But there are features com- mon to the tragic endings which are worth exploring , in the name of Shakespeare's evolution . Tragedy tells of a social catastrophe . Gaps are left . The immedi- ate necessity for society is to ...
... society . But there are features com- mon to the tragic endings which are worth exploring , in the name of Shakespeare's evolution . Tragedy tells of a social catastrophe . Gaps are left . The immedi- ate necessity for society is to ...
第 18 頁
... society , and the Senators — speaking essentially as a body , the speaking part being varied propose their own punishment : By decimation , and a tithed death— If thy revenges hunger for that food Which Nature loathes take thou the ...
... society , and the Senators — speaking essentially as a body , the speaking part being varied propose their own punishment : By decimation , and a tithed death— If thy revenges hunger for that food Which Nature loathes take thou the ...
第 19 頁
... society com- ing to terms with its civil wars , by recognizing the losers as misguided patriots . 10 In the adjustment between individual striving and communal judgment , " This was the noblest Roman of them all " is the best deal that ...
... society com- ing to terms with its civil wars , by recognizing the losers as misguided patriots . 10 In the adjustment between individual striving and communal judgment , " This was the noblest Roman of them all " is the best deal that ...
內容
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
熱門章節
第 152 頁 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
第 150 頁 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
第 95 頁 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
第 84 頁 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
第 54 頁 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
第 195 頁 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
第 48 頁 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
第 133 頁 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
第 102 頁 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.