Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 頁 "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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第 1 到 5 筆結果,共 93 筆
第 頁
... play is eve- rything that is the case . In approaching the play , the author describes the leading patterns to impress themselves upon him . Often the play's key idea is expressed in a single word : " play " in Richard III , " show " in ...
... play is eve- rything that is the case . In approaching the play , the author describes the leading patterns to impress themselves upon him . Often the play's key idea is expressed in a single word : " play " in Richard III , " show " in ...
第 11 頁
... play is everything that is the case . Hence my title , Tragic Instance . A muted form of ideological commitment may creep in , even though the writer may disavow the grander aim of bringing within a formula all of Shakespeare's ...
... play is everything that is the case . Hence my title , Tragic Instance . A muted form of ideological commitment may creep in , even though the writer may disavow the grander aim of bringing within a formula all of Shakespeare's ...
第 14 頁
... play- things of the gods . Edgar's view is that we are justly punished for wrong - doing . He is referring to his father's action in getting a bas- tard son , Edmund , on a whore . Moral : stay out of brothels and you'll be all right ...
... play- things of the gods . Edgar's view is that we are justly punished for wrong - doing . He is referring to his father's action in getting a bas- tard son , Edmund , on a whore . Moral : stay out of brothels and you'll be all right ...
第 16 頁
... play's end , the circumstances are entirely different , and the act can be claimed as the final gesture of an authentic tragic hero . Hamlet , like all of Shakespeare's tragic protagonists colludes with his destiny and ultimately claims ...
... play's end , the circumstances are entirely different , and the act can be claimed as the final gesture of an authentic tragic hero . Hamlet , like all of Shakespeare's tragic protagonists colludes with his destiny and ultimately claims ...
第 17 頁
... play , reunite to form an image of the whole . And Coriolanus , so often viewed as terrain disputed by Freud and Marx , seems best approached via two sepa- rate essays , one given over to sexual imagery , the other to the play's account ...
... play , reunite to form an image of the whole . And Coriolanus , so often viewed as terrain disputed by Freud and Marx , seems best approached via two sepa- rate essays , one given over to sexual imagery , the other to the play's account ...
內容
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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熱門章節
第 152 頁 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
第 150 頁 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
第 95 頁 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
第 84 頁 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
第 54 頁 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
第 195 頁 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
第 48 頁 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
第 133 頁 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
第 102 頁 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.