Classic Writings on PoetryWilliam Harmon Columbia University Press, 2003 - 538 頁 The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre.--Ralph Waldo Emerson, from "The Poet" "[The poet] is a seer.... he is individual... he is complete in himself.... the others are as good as he, only he sees it and they do not. He is not one of the chorus. "--Walt Whitman, from the preface to Leaves of Grass Poetry has always given rise to interpretation, judgment, and controversy. Indeed, the history of poetry criticism is as rich and varied a journey as the history of poetry itself. But classic writings such as Emerson's essay "The Poet" and Whitman's preface to Leaves of Grass serve as more than a critical "call and response": the works are striking examples of how the finest poets themselves have written on poetics and the works of their peers and predecessors--revealing, in the process, much about the theory and passion behind their own works. Spanning thousands of years and including thirty-three of the most influential critical essays ever written, Classic Writings on Poetry is the first major anthology of criticism devoted exclusively to poetry. Beginning with a survey of the history of poetics and providing an introduction and brief biography for each reading, esteemed poet and critic William Harmon takes readers from Plato's Republic and Aristotle's Poetics to the Norse mythology of Snorri Sturluson's Skáldskaparmál. John Dryden's An Essay of Dramatic Poesy and Shelley's A Defence of Poetry are included, as is an excerpt from Elizabeth Barrett Browning's verse novel Aurora Leigh, arriving, finally, at the modernist sensibility of "Poetic Reality and Critical Unreality," by Laura (Riding) Jackson. For anyone interested in the art and artifice of poetry, Classic Writings on Poetry is a journey well worth taking. |
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... PN1016.C53 2003 809.1—dc21 2003040917. A. Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c10987654321 contents Introduction ix 1. Plato 1 The Republic (excerpt) ...
... PN1016.C53 2003 809.1—dc21 2003040917. A. Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c10987654321 contents Introduction ix 1. Plato 1 The Republic (excerpt) ...
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William Harmon. contents. Introduction ix 1. Plato 1 The Republic (excerpt) 3 2. Aristotle 31 Poetics 33 3. Horace 63 “Ars Poetica” 64 4. Publius Cornelius Tacitus 75 Germania (excerpt) 76 5. Longinus(?) 79 “On the Sublime” (excerpt) 80 6 ...
William Harmon. contents. Introduction ix 1. Plato 1 The Republic (excerpt) 3 2. Aristotle 31 Poetics 33 3. Horace 63 “Ars Poetica” 64 4. Publius Cornelius Tacitus 75 Germania (excerpt) 76 5. Longinus(?) 79 “On the Sublime” (excerpt) 80 6 ...
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action admiration Ægir Æsir ancient Aristotle bards Baugi beauty Ben Jonson blank verse called character Chaucer Comedy contemporary criticism death delight diction divine doth drama Dryden effect English English poetry epic Epic poetry Euripides excellent expression eyes feel French genius give Greek Herodotus Homer Horace human Idunn Iliad imagination imitation judgment kind language learning less lines live Loki man’s manner matter mean metre Milton mind modern moral muse nature never o’er object passion perfect persons philosopher Plato Play pleasure plot poem poesy poet poet’s poetic poetry praise produced prose reader reason rhyme Scenes sense Shakespeare song Sophocles soul sound speak spirit Stage stanza style sublime Suttung T. S. Eliot tell thee things Thjazi thou thought Tragedy true truth virtue words Wordsworth write Xenophon