East-West Film Journal, 第 5 卷，第 2 期

aesthetic aidagara American articulation audience Australian avant-garde Bird of Paradise Bligh's Bob Ray body Bounty Breaker Morant burakumin Byam camera caste system Celia characters Chinese cinema close-up contextual critics cultural difference discourse Dukkhiya fantasies fetishism figure film's filmmaker Flaherty Fletcher Fletcher Christian Fuck gaze genre Hamaguchi Hindu historical films Hollywood Hurricane Ichikawa ideology island Japan Japanese Johnny Johnny's Juana Kakar Koi-san Laage Luana Lula Lula's Lynch's Makioka Sisters male Marietta mask masochism mirror miscegenation moksha moon mother movie murder narrative native Newsfront nihonjinron oedipal omiai pandit period film political Polynesian postmodern Qu Yuan Ray's Robert Flaherty role Sadgati Sailor Samsara scene screen script Seas film Shiba shot social soto South Seas film spectator specular structure subtext symbolic Tahiti Tanizaki Tao Qian Teinosuke theory tion uchi uchi/soto University untouchable utopian critique Vidor viewers visual Wang Western White Shadows Wild at Heart woman York Yukiko