The Bucknell Review, 第 9 卷Bucknell University Press, 1960 |
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第 1 到 3 筆結果,共 56 筆
第 166 頁
... artist's motivation and procedure . But the desire to express what the artist has felt , and the control of the created form by the emotion , are central to an expressional theory of art . They are compatible with the use of pure forms ...
... artist's motivation and procedure . But the desire to express what the artist has felt , and the control of the created form by the emotion , are central to an expressional theory of art . They are compatible with the use of pure forms ...
第 267 頁
... artist . Joyce seeks to see beyond himself in portray- ing Shem , however ; his Stephen was only a particular type of artist reacting to a particular environment ; and no matter how typical that interaction may have been in his eyes ...
... artist . Joyce seeks to see beyond himself in portray- ing Shem , however ; his Stephen was only a particular type of artist reacting to a particular environment ; and no matter how typical that interaction may have been in his eyes ...
第 268 頁
... artist , the mature Joyce , con- scious of his own excesses as " the artist as a young man , " con- scious of the world's view of the artist , but peering out at the world with a new artistic objectivity from behind the eye- slits of ...
... artist , the mature Joyce , con- scious of his own excesses as " the artist as a young man , " con- scious of the world's view of the artist , but peering out at the world with a new artistic objectivity from behind the eye- slits of ...
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aesthetic American Amis Amis's Anglo-America artist attitude axiomatic axiomatic system Book of Job Bucknell Bucknell University Buridan's Ass Cantos century choice comedy concept criticism Crossgates culture elements emotion essay evil example expression fact feeling Finnegans Wake force formalist freedom George Orwell Hanslick hero human ideas imagination Innocent James Joyce Joyce Joyce's language liberal liberty literary literature logical man's Mark Twain mathematicians mathematics meaning metaphysical Milton mind modern moral nature never novel Orwell Orwell's philosophy physics pitch play poem poet poetic poetry political Pound's present problem R. G. Collingwood Rabelais random reality reason religion religious Renaissance Sartre Sartre's Satan scene seems sense Shem social society sprezzatura suffering symbolic T. H. Huxley Theorem theory things thought tion traditional tragedy tragic truth Twain Tyndall Uncertain Feeling University usury Valéry violence Wilde Winston Smith word writing York