The Bucknell Review, 第 9 卷Bucknell University Press, 1960 |
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第 1 到 3 筆結果,共 21 筆
第 189 頁
between these two kinds of innocence are further informed , further twisted , by the stance of the Innocent creating them . Sometimes he manipulates them from above , from the position of the Original Observer ; creating sympathetic ...
between these two kinds of innocence are further informed , further twisted , by the stance of the Innocent creating them . Sometimes he manipulates them from above , from the position of the Original Observer ; creating sympathetic ...
第 195 頁
... Innocent , and it comes not from Tom , but from his creator . Here , as elsewhere in the book , it is the interplay between the narrating author and his created char- acters , and between the characters and the setting created for them ...
... Innocent , and it comes not from Tom , but from his creator . Here , as elsewhere in the book , it is the interplay between the narrating author and his created char- acters , and between the characters and the setting created for them ...
第 196 頁
... Innocent , wisely judging every new experience within the frame of his own memory rather than against that of others . I should like to make something of his " discovery , " recorded in Innocents Abroad , when he was in Jerusalem , of ...
... Innocent , wisely judging every new experience within the frame of his own memory rather than against that of others . I should like to make something of his " discovery , " recorded in Innocents Abroad , when he was in Jerusalem , of ...
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aesthetic American Amis Amis's Anglo-America artist attitude axiomatic axiomatic system Book of Job Bucknell Bucknell University Buridan's Ass Cantos century choice comedy concept criticism Crossgates culture elements emotion essay evil example expression fact feeling Finnegans Wake force formalist freedom George Orwell Hanslick hero human ideas imagination Innocent James Joyce Joyce Joyce's language liberal liberty literary literature logical man's Mark Twain mathematicians mathematics meaning metaphysical Milton mind modern moral nature never novel Orwell Orwell's philosophy physics pitch play poem poet poetic poetry political Pound's present problem R. G. Collingwood Rabelais random reality reason religion religious Renaissance Sartre Sartre's Satan scene seems sense Shem social society sprezzatura suffering symbolic T. H. Huxley Theorem theory things thought tion traditional tragedy tragic truth Twain Tyndall Uncertain Feeling University usury Valéry violence Wilde Winston Smith word writing York