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say to him, he will try the case; if not, History.

let them forever be silent.

T is inevitable that you are indebted to

It

the past. You are fed and formed by it. The old forest is decomposed for the composition of the new forest. The old animals have given their bodies to the earth to furnish through chemistry the forming race, and every individual is only a momentary fixation of what was yesterday another's, is to-day his and will belong to a third to-morrow. So it is in thought. Our knowledge is the amassed thought and experience of innumerable minds; our language, our science, our religion, our opinions, our fancies, we inherited. Our country, customs, laws, our ambitions, and our nations of fit and fair-all these we never made; we found them ready-made; we but quote them. Letters and Social Aims.

WE

WE are always coming up with the facts that have moved us in history. in our private experience, and verifying

Debt to the Past

History

is Subjective

them here. All history becomes subjective; in other words, there is properly no History; only Biography. Every soul must know the whole lesson for itself-must go over the whole ground. What it does not see, what it does not live, it will not know. What the former age has epitomised into a formula or rule for manipular convenience, it will lose all the good of verifying for itself, by means of the wall of that rule. Somewhere or other, some time or other, it will demand and find compensation for that loss by doing the work itself. Ferguson discovered many things in astronomy which had long been known. The better for him. History.

GENIUS

For Genius made his cabin wide And Love led Gods therein to bide.

The Poet.

G

ENIUS is religious. It is a larger imbibing of the common heart. It is not anomalous, but more like, and not less like, other men. There is in all great poets a wisdom of humanity, which is superior to any talents they exercise. The author, the wit, the partisan, the fine gentleman, does not take place of the man. Humanity shines in Homer, in Chaucer, in Spenser, in Shakspeare, in Milton. They are content with truth. They use the positive degree. The great poet makes us feel our own wealth, and then we think less of his compositions. His greatest communication to our mind is, to teach us to despise all he has done. Shakspeare carries us to such a lofty strain of intelligent activity as to suggest a wealth which beggars his own; and we then feel that the splendid works which he has created, and which in other hours we extol as a sort of self-existent poetry, take no stronger hold of real nature than the shadow of a passing traveller on the rock. The Over-Soul.

Genius

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